[.ca] 44 Dublin Made Me (ISBN 0140286411)

From Amazon.com:
Theater director Peter Sheridan's bracing memoir is timelessly Irish in its lyrical, word-drunk portrait of a boisterous family touched by tragedy: his younger brother, Frankie, died, aged 10, from a brain tumor. The book is also very much a document of the 1960s. It opens on New Year's Eve as 10-year-old Peter and his Da struggle to install a roof antenna: "Half an hour into 1960 we all sat staring at the television." The television goes on to play a major role in the Sheridans' perceptions of life beyond 44 Seville Place, Dublin, particularly when the Troubles explode across the border in Northern Ireland, their mother's birthplace. Rock & roll provides the soundtrack of Peter's youth, though theater becomes the lifeblood for him and older brother Shea (better known now as film director Jim Sheridan--My Left Foot, In the Name of the Father). Ending with the decade's last New Year's Eve, as he prepares to enter Trinity College, Sheridan closes a complex but seamless circle of metaphors and themes. His father finds the part necessary to fix their ancient TV, and when the family hears Da singing "Frankie and Johnny" in the bath for the first time since their Frankie's death, they know they have survived. --Wendy Smith

Irish yarn unravels into beautiful story:
As if drawn by a gravitational pull, Irish yarns seem to center on the relationship of children with their mothers. In a break from this natural order, Peter Sheridan's memoir, 44 Dublin Made Me turns to the bond of a boy with his father for its compelling tale. Sheridan writes about his childhood with grace and ease. Readers are catapulted into his large Irish family in 1959 from the first sentence onward. Peter Sheridan is a good Irish boy who enjoys school and loves the hectic life Dublin offers. His best friend, Andy, hates school but loves traipsing around the city in search of fortune. The two boys influence each other in both good and bad ways - Andy gets involved with the church after a stint in reform school, and Peter learns to stand up for himself. In the end though, Andy remains the rogue and Peter the goody-two-shoes. A steady presence throughout the book is Peter's Da. The man has his own outhouse in the garage, preaches to his family like they are his disciples and relies on his wins at the horse races as a major means of income. Peter is his Da's helper and is ordered to do just about every imaginable task - from climbing up an ariel on the roof to fix the TV's reception to digging holes in the garage to fix water pressure. When Peter's brother, Frankie, falls ill, their Da finds himself unable to cope. Peter tries to fill in for his father and be someone for his mother to rely on. After his father regains his strength, he and Peter find their friendship stronger. Peter also runs errands all over the city and helps out with the tenants his parents have taken in. One of these boarders, Mossie, plays a crucial role in Peter's life. Mossie robs Peter of his innocence, terrifies and scars him so deeply that Peter withdraws inwardly. Unable to find comfort, Peter then seeks solace at the hands of the church. Illness and deaths make Peter grow up quickly and 44 Dublin Made Me documents his maturation. Andy gets a girl "in trouble" and quickly marries to take responsibility for the situation. As his world changes, Peter adapts. Sheridan's strength is that he writes his story, which could be sad, as hopeful and happy. Rather than just have stories from his childhood strung together as some memoirs do, 44 Dublin Made Me creates a touching story.

A Rewarding Read:
In the opening chapter of his memoirs, Peter Sheridan pedals off on his bike to run an errand for his father. Even at the age of 8, there's no way he could get lost in his own city. He "loves the statues and monuments. If Dublin were a woman, he'd marry her." *** "44 Dublin Made Me" will invariably be compared to Frank McCourt's "Angela's Ashes" on the sole count of being Irish. The Irish, however, are a diverse people, and life in Dublin is very different from life in Limmerick. McCourt's family faced scraping poverty, whereas Sheridan's family (by no means millionaires) have a steady home environment, food on the table, and the constant presence of both parents raising a large brood. *** Peter Sheridan focuses on the decade of the 60s which begins with childhood innocence (getting a TV for the first time) and makes his way through adolescence and two defining events in the author's life -- a disturbing encounter on a train at age 13 and later the death of a family member. *** Sheridan has a wonderful voice for storytelling. He stays true to his kid spirit and endears without being precious. And in fine Irish tradition, every laugh has a tragic edge and every sadness is survived by some beauty.