[.ca] Inventions of the March Hare: Poems 1909-1917 (ISBN 0156005875)

From Amazon.com:
Once regarded as the champion of internationalist culture, in recent years T. S. Eliot has been reclassified as a racist, a misogynist, and a fascist. His life has been the subject of numerous critical studies and even one mainstream film, Tom and Viv, which dissected the intimate details of Eliot's marriage to Vivien Haigh-Wood. With the publication of Inventions of the March Hare, admirers and critics of Eliot will gain new insight into the poet as a young man. The 40 poems contained in this volume were all written between the years 1909 and 1917, a period during which Eliot graduated from Harvard, spent a year in France, studied Buddhism and Sanskrit at Cambridge University, met Ezra pound, and married Vivien. These poems reveal a great deal about T. S. Eliot, the man and the poet. His borrowings from other poets are often apparent (an older Eliot once declared: "immature poets imitate; mature poets steal"), as are the repressed scatological, sexual, and neurotic impulses that would have been offensive or shocking to readers of his time. The annotations by editor Christopher Ricks add to our understanding of the poems themselves and what they expose about their author's complicated psyche.

The Quintessential Collection of Lonely Verse:
Eliot is known to undergrads and postgrads as the genius poet of "Four Quartets" and "The Wasteland;" a man who wrote some of the greatest and most confusing verse of the twentieth century. While the rewards of exploration into such poems are certainly great, it is perhaps a more human need for emotional comfort. The above, professional reviews focus on the small section of bawdry verse in the work, but the majority of this collection is devoted to the great, early emotional works of Eliot. The only familiar poem to most readers will probably be "The Love Song of J. Alfred Prufrock" (with a previously unpublished extension) and a more perfect banner work could not have been chosen. The poems are beautiful, concise, imagistic, painful, somber, but most of all lonely. Here in his early years Eliot is not living in an academic world, simply the world--with love, hypocrisy, doubt, joy, and emptiness. To read the greatest poet of our centu! ry describe that which is greatly profound is a privilege, here to read him describe what is simply profound is a gift. I recommend this book over all other collections of Eliot's or anyone else's verse. If you were not one of the 11th graders who discarded Prufrock as a helpless reject, and instead saw him as a deeply lonely individual much like ourselves, this volume is for you. It will touch your life and make you just that much more complete.

Eliot's Sketchbook:
These are first sketches that prefigure the later and greater work and, as such, they may be useful as an intro to the "Waste Land." Those with no desire to return to that godforsaken place will find these discrete bits more digestible and not lacking in Eliot's uniquely haunting music. Among my favorites are "Interlude in London" and "Oh little voices in the throats of men." For those interested in tracing the voices in Eliot's "echo chamber," there are copious notes detailing his allusions and borrowings.If you are a serious Eliot connoisseur, you will be tickled by his long-lost bawdy verse.