[.ca] Shakespeare's Politics (ISBN 0226060411)

Shakespeare as Political Philosopher:
I am admittedly not too familiar with much of Shakespeare scholarship out there, but I would venture to suggest that (considering the elgance of Bloom's prose as well as the depth of his insights) this work should rank among the finest in Shakespeare scholarship. Such a statement would surely offend the academic snobbery of the Shakespeare scholarship cabal who would reflexively question the authority of one who is not a Shakepeare specialist, in particular, the authority of one who has specialized in expounding the thoughts of Plato and Rosseau. However, I would argue that this is precisely the very reason that elevates Bloom the political philosopher in a privileged position in understanding Shakespeare. The rationale is supplied in the beginning of Bloom's study itself: the great classical dramatists or poets were not proponents of the art for art's sake or creating art for purely aesthetic reasons. Instead, through their art, the great dramatists and poets sought to convey certain timeless truths about human existence, in particular, about political existence, for man is a zoon politikon according to Aristotle. Hence, Bloom's account is a necessary corrective to those language nabobs who would rather prattle about the meters and stanzas and in so doing lose sight of Shakespeares account of the Whole.

See Shakespeare In Another Light:
It should be obvious that Shakespeare wrote great literature. That fact is assumed by the authors of this book. However, Allan Bloom and Harry Jaffa demonstrate a deeper awareness of Shakespeare than one will find in literature departments. Shakespeare combined poetry with an acute knowledge of politics, and these excellent scholars have written a clear and convincing account of some of those facets of political wisdom. Read this fine book and help rescue Shakespeare from political irrelevance.

Powerful. Pungent. Political and philosophical too.:
It is difficult to convey how wonderful I found this thin little book to be. It is no larger than a slice of rye bread, but the food for thought contained therein could feed a soul for a thousand days. It took me two mesermizing hours to get through the Introduction and Bloom's essay on 'The Merchant of Venice'. At first, I mistrusted my recollection- was there really so much there? Had the dry old play decayed so completely in my estimation, or had Bloom inserted his own opinions? No, after more blissful consternation, I relived what I had long taken for dead. Allan Bloom really sees things. His deft insight makes Shakespeare seem real and urgent again, despite how unfashionable and out of vogue the debate may seem to contemporary minds. The Jewish and the Christian come to light, the entire legacy of each Faith revealed keenly, sharply, and decisively in favour of one higher power. The authority of thought, the power of unaided reason brought to bear nakedly on an eternal, ever-so tender, sore. Bloom's essay on 'Othello' and 'Julius Cesear' prove out this reviewer's intial wonder at the work. To readers familiar with Bloom's other works, I include myself, this book was additionally worthy because it showed that the issue Allan Bloom later became famous for, the decay of education, was already at the forefront of his mind in the early 1960's. He states in the book's introduction and claims it as his motivation for publishing the essay. This was 1964, several years before the signifigant events of the 1960s took full shape and bore full weight on American society. The introduction includes Bloom's stark assessment of Poetry and Philosophy. He quotes Napolean (one of very few direct quotes, the footnotes are rich, but few) to argue for the superiority of poetry over politics and then slyly demostrates the superiority of philosophy, or the philosopher, true and proper, over poetry. This is a book you could own and keep and reread often, even secrete it undercover and carry it across hostile borders, real and imagined.