 |
 |
From Amazon.com: Some friendships spring instantly to life, while others require a lengthy period of germination. The rapport between Ralph Ellison and Albert Murray fits into the second category. Both attended the Tuskegee Institute in the fall of 1935, and while they were never formally introduced, Murray recalls being impressed by his fellow student's formidable intellect, not to mention his snappy wardrobe. It wasn't until 1947, however, that their relationship got rolling. The two shared a love for jazz and photography and the American vernacular, along with a comically skeptical view of the social sciences. They were also joined by a sense of literary vocation that seems truly bracing in our own age of ironic retrenchment: "He and I conceded nothing to anybody," recalls Murray, "when it came to defining what is American and what is not and not yet." Their intention was to create a "universally appealing American epic." Ellison delivered his epic, Invisible Man, in 1952, while Murray's arrived on the installment plan, parceled out among nine books and three decades. Yet this divergence in their careers, which might have easily divided them into literary turtle and hare, never made a dent in their friendship--a fact amply testified to by the letters collected in Trading Twelves. The title refers to the old custom whereby jazz soloists would lob 12-bar phrases back and forth, upping the ante with each exchange. Murray and Ellison seem similarly energized by their epistolary cutting contest. Here's the latter on the as-yet-unpublished Invisible Man, which he describes in surprisingly gutbucket terms: For me it's just a big fat ole Negro lie, meant to be told during cotton picking time over a water bucket full of corn, with a dipper passing back and forth at a good fast clip so that no one, not even the narrator himself, will realize how utterly preposterous the lie actually is. Elsewhere he urges his correspondent to hurry up "that low-down southern cullud jive of yours and spread it all over western civilization," while Murray takes their mutual idol William Faulkner to task: "As for Marse Faulkner, he's good, but he ain't never come to terms with poro & straightening combs, let alone jazz and all that cadillac kick dynamism." Decades after they were written, the letters in Trading Twelves remain an ardent and entertaining conversation about art, politics, race, and the intricacies of what Murray would later call Omni-American life. --James Marcus
a must read: I could not put this down. It is a funny, warm, and insightful jam session on the subjects of literature, jazz, and American culture. This is a must have for any student of those subjects. It's also gives fascinating background into the lives and intellectual development of these literary giants.
Music on the Page: This is an excellent book. Fans of Ellison and Murray will appreciate the intimate look at the lives of these writers that can be gained from reading the letters published in this work. Moreover, the call and response nature of the letters beautifully mimic that which can be heard in some of the classic jazz and gospel songs of America. You'll have a hard time putting this one down...
| Author: | Ralph Ellison | | Author: | Albert Murray | | Binding: | Paperback | | Dewey Decimal Number: | 818.5409 | | EAN: | 9780375708053 | | ISBN: | 0375708057 | | Number Of Pages: | 272 | | Publication Date: | 2001-05-15 | | Release Date: | 2001-05-15 |
|