[.ca] Slightly Out of Focus (ISBN 0375753966)

From Amazon.com:
Robert Capa, the great photojournalist who is perhaps best known for his searing images of WWII, infused his autobiography with the same brio and warmth that he expressed in his now classic photographs. "Victory was pleasant and exhausting," the Hungarian-born American notes after the Allies' capture of Tunisia. "During the day in the streets ... we were kissed by hundreds of old women.... We had enough liquor from a captured Gestapo warehouse to keep our singing throats from drying out." Always on the frontlines (he was killed in 1954 in what would later become known as the Vietnam War), Capa went ahead with the parachute invasion of Sicily even though he had been fired from Colliers Weekly--flying in with a squadron of young soldiers he refers to as "boys." When Capa's turn came to jump, he forgot to count "one thousand, two thousand, three thousand" before pulling his cord, instead murmuring, "Fired photographer jumps." "I felt a jerk on my shoulder and my chute was open. 'Fired photographer floats,' I said happily to myself." Stuck dangling in a tree all night, he didn't dare call out for help. "With my Hungarian accent, I stood an equal chance of being shot by either side." Writing or clicking the shutter, Capa was the perfect conduit for his time, with the war's almost casual heroism, palpable danger, and the importance of every moment of life--whether lying in a foxhole or shopping in London at Dunhill's for a silver flask. Slightly Out of Focus is dotted with his pictures, including the most famous ones of the D day invasion. "I am a gambler," Capa writes. "I decided to go in with Company E in the first wave." Capa's priceless, self-deprecating text tells much, and his photographs show the rest: how thin the Europeans were in Italy, France, and Germany, for example, trim as saplings from years of deprivation. And then there's Capa's famous series showing the plump Frenchwoman, a German collaborator, marked for shame by her shaved head, hurrying past her taunting neighbors, all of whom are gaunt by comparison. This is a war book, of course, but it will transfix documentary photographers. And this Modern Library edition, which links Capa with such great writers as Ernest Hemingway (whom he photographed wounded), confers suitable honor on his earthy genius. --Peggy Moorman

War stories by the famous Bob Capa.:
This is Capa's story of his World War II. Capa was a famous photographer from the Spanish Civil War, who applied his skills in North Africa, Sicily, Italy, and France. For a photographer, his stories are very good and enjoyable. Like one of the previous reviewer, I have to agree that Capa does not reveal much of himself. If you take his stories, he appears to be an alcoholic and irresponsible. His photos though are world famous. These stories are great to read and the book is not long. This is good Sunday reading.

War Stories With No Insights:
The preface to the book points out that Capa originally wrote it with the intent of it being turned into a movie. The result is an engagingly good collection of war stories. If, however, you're interested in finding out more about Capa, why, for example, he continually went back into harms way or why he let his relationship with Pinky languish so he could take more war pictures, or what he was trying to capture with his photographs, anything personal at all, you won't find it here. Instead you'll find some well told war stories (although at times he tries too hard). You'll also be treated to a collection of his photographs. You just won't find the man here.

The Incorrigible Capa:
Slightly Out of Focus, the autobiography by legendary photographer Robert Capa, chronicles his experiences as a photographer for Collier's and Life magazines during World War II. Capa's adventure takes him from his comfortable bed in New York, across the Atlantic, into the African desert, to the beaches of Normandy and the liberation of Paris, through Germany, and finally to a posh London apartment where his journey ends. The book is a delightful read. Over 100 of Capa's breathtaking and thought provoking photographs are scattered throughout its pages. Slightly Out of Focus is ridiculously easy to read. Capa's conversational style and witty banter result in a story that feels more like your favorite novel, than the biography of a war correspondent. The memoirs span only 232 pages, but fully encompass the blood, sweat, and tears shed during the most gruesome war in American history. Capa throws no punches when he puts his thoughts and experiences into words. He is gut wrenchingly open, honest, and human about himself and the war that he photographs. He accurately shows the not so glamorous, unromantic side of front-line journalism in stories about being too broke to pay his bills, sleeping in bed-bug infested houses, driving for hours over empty deserts, contracting malaria, bureaucratic red tape, and eventually giving up the woman of his dreams to continue photographing the war. Capa is honest enough to admit to all of this and wrote, "I began to dislike this war. The life of a war correspondent wasn't so romantic." Capa put his life in danger countless times in the book, each time in the quest for the perfect photo that said everything and each time narrowly escaping death. While in Africa, he accidentally wandered into a mine field and had to wait for hours to be rescued. Later, the division that Capa was traveling with was bombed during the night. Capa described it as, "Next morning, when I woke up, there wasn't any tent over me. The camp had been bombed during the night. The blasts had blown away all the tents, although no one was hurt. I was the object of envy and admiration for having slept through it all without stirring." During his time in Europe, Capa joined in the Normandy invasion and parachuted out of planes. Soon after he began, Capa gave up trying to be an impartial observer and assisted in rescuing and transporting wounded soldiers during some of the fiercest fighting. He slept in fox holes, ate C-rations, and helped bury fallen soldiers. In Slightly Out of Focus, we learn as much about Capa as we do about the war. He unashamedly allows us a constant view into his psyche. It offers a refreshing and helpful glimpse into the struggles of an embedded journalist. He admits when he is frightened, tired, apathetic, angry, or even happy. He talks often in the book of becoming tired of the sickeningly violent monotony that is war. "They were simple pictures and showed how dreary and unspectacular life fighting actually is. The correspondent's war neurosis was setting in...my pictures were sad and empty as the war, and I didn't feel like sending them to the magazine." In spite of the inherent death and depression of war, Capa finds the everyday humor in extraordinary experiences. Just when the book seems too intense, he makes a witty remark or points out the weakness in human folly and makes you chuckle. He allows you to take the pill of war down without having to dissipate the cold, hard facts, by giving the reader a spoon full of sugar at the same time. The love story of Capa and "Pinky" (a.k.a. Elaine Justin) also provides a breakup between intense battles. Capa maintains a lighthearted feel in the book by alternating chapters of fighting and death with chapters of his humorous roller-coaster romance. In the end "Pinky" gives up on Capa because, by covering the war instead of being with her, he finally chose between his two great loves. Capa begins and ends the book with the same line, "There is absolutely no reason to get up in the mornings anymore." The reader understands finally, on the 232nd page, that Capa lives to cover wars. In his mind, being a war correspondent isn't a job, it is a destiny. When he isn't covering a war, he is lost, restless, and aimless. Slightly Out of Focus is jewel deserving five stars. Capa has effectively created a book that captures the feeling of World War II while making it palatable to the average reader. He educates and entertains. The work is believable and down to earth, revealing a transparency uncommon to most authors, but welcomed by readers. In this work, Capa proves himself to be far more than a great photographer. In the words of Capa's good friend, Pulitzer Prize winner John Hersey, "He has humor. He has a clear idea of what makes a great picture: 'it is a cut of the whole event,' he says, 'which will show more of the real truth of the affair to someone who was not there than the whole scene.' Above all-and this is what shows in his pictures-Capa, who has spent so much energy on inventions for his own person, has deep human sympathy for men and women trapped in reality."

Best birthday gift apart from the camera itself:
Not overridden with anecdotes of war zones and the battlefield, Capa comes across as incredibly human from the observer's perspective during the years of conflict. Sensitive, witty, charming, and driven, he is truly fantastic and remarkable a storyteller with words as he is with a camera.

Amazing:
When I think of the founders of Magnum I see larger than life heros that are always in the right place at the right time for the perfect picture. Not only does this book show that Capa is not larger than life, but a very real man, but he also worked very hard to be at the right place at the right time...not to mention he spent much of his life at the wrong place at the wrong time.