[.ca] The Historian's Craft: Reflections on the Nature and ... (ISBN 0394705122)

Reflections by a great Historian:
This book of reflections by a master historian (and victim of the Nazis, which cut short his illustrious career), is not of the same order magnitude of a philosopher-historian like R. G. Collingwood (who made use of Bloch's work on France in the medieval period), but it contains many insights and historical remarks that make it interesting and informative. I have read and enjoyed this book for years and think you will find it well worth reading and re-reading. The following famous lines from the book illustrate the zest and love he has for the subject: "The good historian is like the giant of the fairy tale. He knows that wherever he catches the scent of human flesh, there his quarry lies." I have it in French, and the English translation, and highly recommend it.

Provides Insightful Analysis:
In the preface, Joseph R. Strayer makes an argument for studying history by noting it is "the living connection between present and past which makes history something more than a game for dilettantes." In this book, Bloch presents the subject with a passion. On page 8 he writes "history has its peculiar aesthetic pleasures" and indeed it does. A few pages later, he describes how the process of researching and writing is as much an enjoyment as the end result by paraphrasing Peguy in saying "the good husbandman takes as much pleasure in plowing and sowing as in the harvest." Bloch gets philosophical when he discusses the variety of sources available to a historian. He says the number is limitless, in that anything man touches, says, writes, or makes says something about him. As "art" the process of investigation undertaken by the historian says something about the observer as well as the observation, Bloch notes. This is a worthwhile read in that it helps a person reflect on how history is recorded and passed down. Bloch is to be commended for perserving his reflections on the craft that held so much excitement for him.

Master of His Craft:
To Marc Blanc, the craft of history is an endeavor not to be taken lightly. It is far from a trivial indulgence of human curiosity but a serious science, in fact, "the most difficult of all the sciences." The Historian's Craft is Bloch's portrait of the paragon of history as well as a road map for striving toward that ideal. Before buying or reading this work, the reader should be aware of three of its unusual aspects. First, by virtue of tragic circumstances, the book is in unfinished form. Bloch, a renowned scholar who was active in the French resistance, was captured by the Nazis and eventually executed, leaving only approximately two thirds of the envisaged work complete. Second, as a result of his fate, the written chapters published in this book did not undergo the polishing they certainly would have received before publication. As a result, the work is uneven and the last finished chapter in particular ("Historical Analysis") is difficult to follow in parts, ponderous in its structure and language and largely lacks the clarity and smoothness of earlier chapters. Finally, the book contains many references to, from the layman's perspective, relatively obscure contemporary and historical French academics. To the eye and ear of the amateur, these allusions disrupt the cadence of the book and diminish the power of its logic. With those disclaimers in place, there are many fascinating and enjoyable components to the book. First and foremost, suffused throughout is Bloch's passion for the practice of history. Yet his passion is not the naïve infatuation of youth but rather a mature expression grounded in the sober responsibility and extreme difficulties inherent in the craft. For Bloch, history is to be written, "with integrity, with truth, with the utmost penetration into its hidden causes, and thus, with difficulty." As it is "the science of men in time," history therefore requires an understanding of the dizzying number of varied forces that interact with, impact and respond to the mind of man. Thus, the ideal historian is a polymath steeped in linguistics, psychology, archeology, sociology, geography, biology, economics, and other fields that collectively are the tools of understanding. Furthermore, he should have the skill to communicate this understanding with the "great delicacy of language and precise verbal shadings (that) are necessary" to convey his subject accurately. Bloch understands that this ideal is not to be found in one person but leaves the clear impression that his had been a life devoted to its pursuit. His writings on Evidence, The Transmission of Evidence and Historical Criticism are lucid, practical field guides replete with examples from Bloch's scholarly pursuits. In discussing historical evidence, he details in interesting fashion the growing recognition of the importance of "unintentional" evidence relative to narrative sources written for posterity. His writing on the collection or transmission of historical evidence is notable for its counter-intuitive discussion of the unexpected boon to historical preservation provided by cataclysms. While acknowledging the terrible loss to posterity from many disasters, he notes that, "the peaceable continuity of social existence is much less favorable to the transmission of memory than is sometimes supposed." Calamities disrupt plans of privacy and, in extreme cases such as the eruption of Vesuvius, preserve the ancient from typical destruction at the hands of progress. Historical Criticism, which may be summarized as the effort to discern truth from falsehood through systematic, rational analysis issuing forth from a predisposition to doubt, is treated in fascinating detail. Systematic fraud, unintentional error and societal predispositions and prejudices are sources of falsehood that Bloch illustrates with the skill of a detective. This is not a work without flaws, but its strengths carry the day for any reader with an interest in the field of history. Perhaps the best summation of this book is given voice by Bloch's own tragically ironic words, set down in his Introduction in relation to the state of his profession, "The incomplete, if it is perpetually straining to realize itself, is quite as enticing as the most perfect success."

Marc Bloch:
Marc Bloch was one of the great French historians. This is the summary of his life's work, the thoughts on his vocation of a master historian. True this is not a great philosophical master piece, like the works of Collingwood, but it is full of sage observations, and practical advice. The last book by a victim of the Nazi regime. You will enjoy reading it. Highly recommended.

A Historian's Craft:
Marc Bloc's style of writing (or the translation) is extremely complicated. At many times, I had to re-read many paragraphs two to three times, just to get a gist of what he was trying to express. Nonetheless, Marc Bloc displays that same complexity in the ideas he wishes to express. Although he apologizes for the lack of accuracy in some of his examples, he makes no such concessions on his views. Highly authoritative on controversial topics, like evidence, forgeries, and the perennial question of "why study history?", Marc Bloc attempts to use the subject of history as a platform to discuss other social issues i.e. economics, philosophy, abeit in an indirect manner. Also, his chapter on Nomenclature deserves a good thorough read . It's very mind boggling and incisive. Although his final chapter on Historical Analysis has been dealt with by other historians like Carr, it does convey Bloc's passion for history - a trait which will certainly rub off on any history enthusiast. Given its linguistic style and the subject matter, The Historian's Craft is not the book you would want to take to bed with.