[.ca] F. Scott Fitzgerald: Flappers and Philosophers (ISBN 0521402360)

Form and Finesse:
Fitzgerald's stories manage to unite his otherworldly grasp of the fluctuations in the human soul. He is a master at presenting its contrivances and vanities as things that happen to people. The tension in these tales rises with almost unconscious force. Red herrings of possible conclusions are whispered but almost in the style of a trickster. Someone always gets conned and someone unmasked- all within that now long-gone era that held a fullhouse of interesting details and premonitions of an ominous future. "Beatrice Bobs her Hair" always has something more to say about savage young ladies. It deserves its place, I think, in every highschool English curriculum. The spoiled rich girls inevitably fall madly in love- with the cads or the tricksters. It was interesting to read "Benediction" in this era of the priest scandals. How priests were seen by Fitzgerald, or perhaps how he conceived his alter ego- is apparent in his return to his natural self through the heroine's choice at the end. This writer always has a trick up his sleeve for the unpredictable conclusion. I am surprised that there are not more raves over this collection, but perhaps that is the nature of the post modern era. I on the other hand -rave. Story, resolution, all those little formulas that separate the artist from the amateur in the impossible short story form. Fitzgerald, except for perhaps in Gatsby, never achieved such form and plotting in his novels. His youth too, can be sensed in the humorous and rather light-hearted manner by which he casts his characters and those obstacles that they encounter.

Form and Finesse:
Fitzgerald's stories manage to unite his otherworldly grasp of the fluctuations in the human soul. He is a master at presenting its contrivances and vanities as things that happen to people. The tension in these tales rises with almost unconscious force. Red herrings of possible conclusions are whispered but almost in the style of a trickster. Someone always gets conned and someone unmasked- all within that now long-gone era that held a fullhouse of interesting details and premonitions of an ominous future. "Beatrice Bobs her Hair" always has something more to say about savage young ladies. It deserves its place, I think, in every highschool English curriculum. The spoiled rich girls inevitably fall madly in love- with the cads or the tricksters. It was interesting to read "Benediction" in this era of the priest scandals. How priests were seen by Fitzgerald, or perhaps how he conceived his alter ego- is apparent in his return to his natural self through the heroine's choice at the end. This writer always has a trick up his sleeve for the unpredictable conclusion. I am surprised that there are not more raves over this collection, but perhaps that is the nature of the post modern era. I on the other hand -rave. Story, resolution, all those little formulas that separate the artist from the amateur in the impossible short story form. Fitzgerald, except for perhaps in Gatsby, never achieved such form and plotting in his novels. His youth too, can be sensed in the humorous and rather light-hearted manner by which he casts his characters and those obstacles that they encounter.

Excellent, engrossing short stories:
Fitzgerald may not have been overly fond of his short stories, but his writing skill and insight shine through anyway. In The Ice Palace and Bernice Bobs her Hair and the Four Fists in particular, Fitzgerald captures individuals struggling with themselves. Who/what should they be, and why? While I wasn't too fond of the pirate story, as it lacked these elements, the other stories in the book show a depth of understanding and introspection that makes for a wonderful, thoughtful read.

A good sampling of Fitzgerald:
This collection of short stories takes a candid look at America in the early 20th century. There isn't a stinker in the lot, but I think "Bernice Bobs Her Hair" is my favorite. Fitzgerald has a way of making his readers connect with unlikeable characters that seems almost magical.

A fine read:
What marks this collection is a depth of feeling and sensitivity. Fitzgerald has a large degree of empathy for the creatures he writes about--whether they're the young "pirate," poor dull Bernice, or the ruined heroine of the "Cut-Glass Bowl." It's the book's saving grace, because sometimes Fitzgerald will lapse into purple prose, and the structure of the stories is often pat and cutsey in that O'Henry manner.But this is still a memorable book, one you look fondly back upon. IA