[.ca] The Good Life (ISBN 0739325302)

The Spirit of New York Award:
Jay Mcinerney emerged from the stigma of being the classic angst youth writer to lay claim to his true title as the spirit of New York passive aggressive tendancies. Having left the young professional drug addict thrown to the likes of Rikki Lee Travolta ("My Fractured Life") and James Frey ("A Million Little Pieces", his latest work "The Good Life" is every bit the winner that Mcinerney can be counted on for. He writes now of the adult world, but his characters are every bit as flawed as the young drug addicts he became known for. These damaged souls have had much longer time on the planet to develop their sinful ways, and much more creative ways to display their self contempt. Mcinerney writes with a New Yorker's tone, a New Yorker's bitter sarcastic tongue. He is a master, and The Good Life while not his best ever is certain one of the best releases available.

ENTERTAINING, ENTHRALLING, AND POIGNANT:
With a New Yorker's heart and masterly pen Jay McInerney has crafted an unforgettable tale of a city and its people. It's a story headline fresh and fraught with the qualities that define our human predicament - some noble, others base. An astute observer, McInerney has a unique sense of New York City, bringing its streets and zip codes to midday vibrancy or nocturnal rest. He captures the quiddity of characters with a portraitist's skill; his brush strokes are glances, expressions, and words. Describing Manhattan as "an existential town, in which identity was a function of professional accomplishment," McInerney introduces two families. Corrine and Russell Calloway share their Tribeca loft with 6-year-old twins, a daughter and son. Yearning for all that motherhood had to offer, Corrine quit her job which left a rather desultory Russell to be the family breadwinner. Now at work on a screenplay, Corrine is hoping to augment the family's dwindling bank account. Sasha and Luke McGavock live on the Upper East Side with their 14-year-old going on 20 daughter, Ashley. Sasha is gorgeous, immaculately groomed, often wearing gowns loaned to her by Oscar (we needn't say Oscar who) and a constant presence at all the important charity benefits. Who people are, what they have, what they're saying about her - this is what matters to Sasha. Luke is the son of a Tennessee minister who has amassed a fortune as a financial expert. He recently left his job, feeling the need to reassess his direction in life. Now, that he's at home he is acutely aware that his daughter has gleefully adopted all the extravagances of her mother and then some. He had failed to notice this, among other things, "while he was so single-mindedly pursuing his career, bring home the prosciuto." As chance would have it, he has made a breakfast date with his good friend, Guillermo Rezzori. The year is 2001 and they're to meet at Windows on the World at 8:00 a.m., but Luke leaves a voicemail canceling their September 11 meeting. Guillermo, along with a host of others, is lost in the devastating attack. Remorseful and unhappy that he and Sasha could not reach out to each other during this time of tragedy, Luke volunteers at a makeshift soup kitchen set up at Ground Zero for the firemen and other rescue workers. There, under the direction of Jerry, "a hulking , bullet-headed carpenter" he sets to his tasks, and meets Corrine. She, too, has sought solace in giving herself over to feeding others. Their attraction is almost immediate, brought together by a cataclysmic event and disappointment in their marriages. McInerney's pictures of daily life by Ground Zero are unforgettable as we see how the tragedy affected the lives of a group of very different people. Their camaraderie is touching; their struggles to overcome sear. New York City is this author's turf, his sharp eye misses nothing. With "The Good Life" McInerney has captured forever a time and a place. It is a story of love and loss. And just as the aftershock of 9/11 reached each of us, it is in one way or another our story, too. We could not have found a better voice to tell it. - Gail Cooke