[.ca] Bottle Rocket (Widescreen/Full Screen) (ISBN 0767821408)

From Amazon.com:
This quietly daffy comedy should have been an indie hit, but ended up ignored by audiences. Too bad; it's a wonderfully sustained caper movie about friends whose career choice is all wrong. Low-key Anthony (Luke Wilson) and high-strung Dignan (Owen C. Wilson--the two actors are brothers) are brought into a life of crime by Dignan's ambition to be a small-time thief. After a few amusingly laid-back trial burglaries, they (and a third buddy) find themselves over their heads when they hook up with an experienced crime boss (James Caan). Because this movie is so relentlessly deadpan, you really have to be dialed in to its brand of humor--but once there, Bottle Rocket shoots off plenty of sparks. Above all, Owen Wilson's portrayal of Dignan is a terrifically original comic creation; Dignan is so sincerely focused on his goals that he can't see how completely absurd his ideas are. Owen Wilson, who went on to supply similarly knuckle-headed performances in Armageddon and Permanent Midnight, wrote the screenplay with director Wes Anderson. --Robert Horton

a cool look...:
At what the Wilson/Anderson writng team were up to before thier Rushmore and Royal Tenenbaums masterpieces. In comparison it is really a pretty boring movie, but it's got some funny moments, as well as a really enjoyable soundtrack, so still fun nevertheless. I reccomend it if you liked the royal tenenbaums, rushmore, or both.(which I can't see how you can't like them unless you're just a bisexual babyeater)

Don't just watch it once:
This movie is greatness. Two rules: Don't watch it alone or only one time. "I can't concentrate unless the gun is on the table"

Quirky, delightful start to two great careers.:
Released in 1996, this is Wes Anderson's first feature movie and the beginning of a great career that has also included the fantastic quirky comedy-dramas "Rushmore" and "The Royal Tenenbaums." "Bottle Rocket" isn't the equal of those films, but it is a great start to Anderson's career, and a fine little comedy. It also marked the beginning of the stardom of Owen Wilson, who co-wrote the script with Anderson and plays the most noticeable and memorable part. The film was shot in Texas, Anderson and Wilson's home state, based on a short film they had made two years earlier. The movie has the type of laid-back and character-driven humor that won't appeal to everyone. This is comedy that doesn't target laughs or build up elaborate set-ups as most comedies do. Instead, the humor is continuously slow-pitched to you in the form of weird but likeable characters, off-center attitudes, and situations that seem familiar to us but are played in unreal ways and thus become extremely funny. All together, it's an extraordinarily enjoyable and pleasant movie that strolls through its story with no particular rush. Owen's brother Luke Wilson, who had so far appeared in every Wes Anderson film, plays Anthony Adams, who gets out of a voluntary mental hospital after recuperating from a breakdown. His friend Dignan (Owen Wilson) has big plans for both of them -- a life of easy and enjoyable crime! Dignan doesn't have any good ideas, but tries to make up for it with endless enthusiasm and an outrageously optimistic view of life. Unfortunately, when things inevitably don't go well for him and his friends start criticizing him, he can fall into pretty bitter depressions. Owen Wilson has the character nailed down, and Dignan sets the tone for most of Wilson's other characters: the enthusiastic but misguided nut. Dignan gets his friend Bob (Robert Musgrave) in on his plan to pull a 'job' (and all of Dignan's 'jobs' are minor-league suburban affairs) that will attract the attention of the local crime boss/landscaper, Mr. Henry (James Caan in a brief but darned funny performance). Dignan get obsessed with his planning and attempts at damage control, while Anthony and Bob are more busy with the really important things in their lives: Anthony falls for a housekeeper at a motel (Lumi Cavazos, from "Like Water for Chocolate"), and Bob tries to deal with his bully of a brother, Future Man (Andrew Wilson -- yep, another Wilson). The film has some sad and serious moments -- after all, these are characters who are really going NOWHERE in a very boring suburban landscape -- but with Dignan around it never stays down for long. There are plenty of chuckles and some real moments of howling laughter, especially during the climatic 'take down' (and I'm really using that term pretty loosely). Another Wes Anderson favorite actor, Kumar Pallana, who appeared as Pagoda in "The Royal Tenenbaums," is on-hand to add comedy as a safe-cracker (and again, I'm really using that term loosely). If you like quirky, odd, but realistic comedy, and if you've enjoyed Owen Wilson in many of his later performances, "Bottle Rocket" is really worth a look. (This DVD is, unfortunately, nothing special. The picture and sound are good, but it hasn't a single extra on it, not even a trailer.)

Anderson and Wilson Deserve Humanitarian of the Year Award.:
Wes Anderson's and Owen Wilson's Bottle Rocket is the most sympathetic film I have seen since...well, their most recent film, The Royal Tenenbaums. Professing to be a Wes Anderson adherent since the release of their third film--though I'd never seen his and Wilson's very first collaboration \opseudo fan--oh you better believe it\c, I finally surrendered the insanity and rented it from my local Blockbuster. All I can seem to say is, "Oh! What a film!" I, insanely, have refrained from writing a review of The Royal Tenenbaums because I know I will resort to sentimentality and will be unable to relate my thoughts intelligently and thus say nothing constructive. Now, however, I am forced to review Bottle Rocket, mainly because it is a deserving yet--unlike The Royal Tenenbaums--very undervalued film. Although directed in a crazy and amateur style \omuch different from the precision in the direction of Anderson's subsequent two films\c--shaky hand-held camera and mismatched and unconfident musical choices--the writing is not noticeably second-rate to that in Rushmore and The Royal Tenenbaums. Despite the film's very few problems, there is a pleasant sentiment accompanying the watching of this film--Bottle Rocket's cast and crew are comprised of family members and old friends \omost every actor in the film has a Texan drawl\c, and even the sets seem to evoke a personal sentiment in the creators. Because of this familiarity, you, the viewer, are overwhelmed with the feeling that this film were made by people you actually knew, and--when there are mistakes--you don't even want to hold it against the makers or maintain any true negative feeling towards the film because it is just so nice. The story is somewhat uncontained and unsystematic: two bored friends, Anthony \oLuke Wilson\c and Bob, are forced into participating in recreational robberies that are crazy \oyet unassuming\c--like holding up a book store at closing time--but grandly planned with an extravagant detail by Dignan \oOwen Wilson\c, their whimsical, delusional and childish friend. Anthony and Bob, in their mid-twenties, are interested in relationships with girls or their families, but Dignan is interested in nothing but pulling off heists in revolutionary ways--hoping to be made into some kind of crime legend--since he's been fired from a job he really liked, working as a landscaper. The story of Bottle Rocket is easily and obviously reminiscent of Mark Twain's Tom Sawyer in that Tom, like Dignan, was more eager to fantasize and daydream than ever accomplish anything or even enter the real world while it was Huck, like Anthony, who tired of the childish fantasy games. Though the story is haphazard, it is one of the most compassionate and kind character analyses I've ever seen in a film. Dignan holds grudges and is easily upset, but he's always the one receiving the punches and never giving them, and when arguments start he instantly begs everyone with a pitiful desperation to stop fighting. "You know, I'm not always as confident as I look," Dignan confides after being heckled by some older, cooler, and more accomplished guys for wearing a yellow jumpsuit. His friend, Anthony, tries to console him by saying, "Did you see what they were wearing?" but all Dignan replies with is, "Yeah, it looked pretty cool." Owen Wilson, unlike in the other films, is the primary writer of Bottle Rocket and adds a comprehension of the character that only autobiographical experience could possibly invoke. The writing and execution of the other major players, Anthony and Bob, fail in comparison to the utter vitality exuded through the personality of Dignan, and this disproportion proves to be the major downfall of the film. Nevertheless, though characters like Max Fischer, Royal Tenenbaum and Eli Cash are extremely well-written and are quite effective, Bottle Rocket's Dignan is the most kindhearted and benevolent character ever created by Anderson and Wilson--or anyone else, for that matter.

A strangely compelling, wonderfully quirky little comedy:
Low-key, deadpan humor is the name of the game in this quirky comedy that is chock full of Wilson brothers. Owen wrote and starred in the film alongside brother Luke, and yet another Wilson brother plays a small role as their buddy's brother. Bottle Rocket is definitely a quirky little film, and its humor won't appeal to everyone. Inevitably, you'll either enjoy it or wonder why such a nothing story was ever made into a film. By this point, I have to come to terms with the fact that I am actually an Owen Wilson fan; I can't help it - the man's just extremely funny. The story centers around Anthony (Luke Wilson), who just got out of a voluntary mental hospital, and his one-of-a-kind buddy Dignan (Owen Wilson). Dignan has big plans; in fact, he has the next fifty years charted out. This master plan of his calls for Dignan and Anthony to pull a few burglary jobs and thus impress the local landscaper (I mean, criminal mastermind) Mr. Henry (James Caan) so much that he makes them part of his crew. Dignan obsessively maps out each facet of his plans, treating them as daring capers of great importance, but Anthony and his friend Bob (Robert Musgrave) tend to get distracted rather easily. The first job, a little after-hours bookstore robbery, sort of succeeds despite itself, and the trio goes on the lamb until the supposed heat is off, holing up in a cheap motel out in the middle of nowhere. Here's where things start falling apart, at least insofar as Dignan is concerned. Bob's all worried about his brother having been arrested for the pot that Bob was growing in his own backyard, while Anthony falls in a rather pathetic - but awfully sweet - kind of love with Inez the housekeeper (Lumi Cavazos) - despite her limited knowledge of English. Everyone goes his separate way, basically, but the gang comes back together in order to pull their most ambitious (and, of course, wildly unsuccessful) heist yet. There's not a great deal of story resolution at the end, but that's okay; the film's ambiguity is actually one of its strengths. Bottle Rocket is a decidedly quirky film, but the characters of Dignan and Anthony really grow on you. Poor Dignan, despite all of his big plans and enthusiasm, is really just a loser going nowhere, while Anthony basically just wants the world to slow down to his low-key pace and to be reunited with Inez. The whole film thrives on a fairly intellectual brand of comedy - no toilet humor, outrageous pratfalls, or low-brow, course jokes to generate cheap laughs. Sure, the movie is sort of stupid, but the comedy certainly isn't. Basically, you either get Bottle Rocket or you don't. That's probably one of the reasons that the film has never managed to generate a giant blip on the radar screens of movie viewers - and that's too bad because Bottle Rocket really is a funny little oddball of a film.