[.ca] Everybody Was So Young: Gerald and Sara Murphy: A Lost ... (ISBN 0767903706)

From Amazon.com:
Gerald and Sara Murphy were the golden couple of the Lost Generation. Born to wealth and privilege, they fled the stuffy confines of upper-class America to reinvent themselves in France as legendary party givers and enthusiastic participants in the modernist revolution of the 1920s. He became an important painter; she made everyday life a work of art. Their friends F. Scott Fitzgerald, Ernest Hemingway, and John Dos Passos all based fictional characters on the Murphys; Picasso painted them; and Calvin Tomkins rekindled their glamour for a younger generation in his affectionate 1971 portrait, Living Well Is the Best Revenge. Amanda Vaill's vivid new biography builds on Tomkins's work to provide a full-length account of the Murphys' remarkable life together. As well as good times, that life included suffering endured with great courage. The Murphys' teenage sons died within two years of each other in the mid-1930s--one suddenly, one after a long battle with tuberculosis--and the Depression forced Gerald to resume the uncongenial work of managing his family's business. Vaill's sensitive rendering reveals the moral substance that enabled this stylish couple to survive heartbreak. But it's her marvelous evocation of those magical expatriate years that lingers in the memory. The wit and imaginative panache with which the Murphys lived sparkles again, recapturing a splendid historical moment. As Sara later said, "It was like a great fair, and everybody was so young." --Wendy Smith

some facts are not correct.:
i'll admit i havent even read the book. perhaps i will in the future, but a few incorrect "facts" fly out while just gazing over the material available online. the most glaring is that "Gertrude Vanderbilt Whitney was Cornelius Vanderbilt Whitney's Aunt." get with it she was his mother, obvious she named her son after her father. anyone who has read either's biography would know that. and for other sources John Hay Whitney "JOCK" was his cousin not his brother.

Making social history breathe:
Few books deserve to be 'raved' about but mark this one as a definite 5 stars. Brilliantly researched and detailed, the author made these people 'real' to me, I felt I knew them. The Murphys, so very different yet so very much alike were 'The hostesses with the mostest' to all the upcoming glitterati of the 20's furnishing both emotional and monetary support at crucial times to Hemingway, Fitzgerald, Cole Porter (and others) with a grace and charm that is as impressive now as it was then. It would have been so easy for Vaill just to cover that but she gives the lives behind the facade, the odd and distant relationships with both sets of parents and family, the heartbreak and sorrow of loss of their two sons that seemed to end all the lightness in theie lives. They and the world they had created were never the same after, as both they and their friends even at the time recognized. Its sometimes so easy to forget that the 20's were a brief flickering of a frantic time between a war and a depression. The Murphys lived before and after but somehow they both defined and were defined by that period. This book lets you know them for all they were.

Fascinating account of Lost Generation love story:
If anyone could be said to have lived a charmed life, it would be Gerald and Sara Murphy. They were wealthy, artistic and talented, with three beautiful, loving children and a circle of friends who became famous and accomplished in their own right. They gave wonderful parties that are still remembered a half-century later, were generous to those in need, and best of all, Gerald and Sara loved each other deeply, with an affection that grew as they lived their lives to the inevitable, bitter end. Anyone who has read into the lives of Ernest Hemingway, F. Scott Fitzgerald, Picasso and the other expatirot residents of Paris in the 1920s will recognize Gerald and Sara, perhaps unfavorably as hanger-ons who supplied the money the others lived on. That unfair assessment is turned on its head in Amanda Vaill's dual biography of the couple. The Murphys were more than a bank account who gave parties; celebrity bottom feeders more interested in status than in accomplishments. They were something of an oddity. Both were from wealthy families, yet both wanted more than the family life they craved. Gerald had an eye for art, music and decorating; it was amazing to learn he was first to boost many artists who later became famous; "Grandchildren," he said as he showed them a copy of "Meet the Beatles." "Pay attention. These young men are going to be very, very important." From their village in the Antibes, which was a backwater when they discovered it, they befriended people like Hemingway and Fitzgerald, John Dos Passos, Archibald Macleish, Lillian Hellman and Dashiell Hammett as well, while Gerald became famous in his own right for his finely detailed studies of mechanical devices: a watch, a machine, of a boat deck and smokestacks. But if there's anything experience teaches us, it's that no one really leads a charmed life. It's all filled with day-to-day worries, irritations, tragedies and, with luck, some glory. But Gerald and Sara came close -- the 20s were their time -- and it's a fine thing to finish a biography of someone and find that you like them even more than before.

Enchantiing:
It must have been a glorious time in France with the Murphy's. Entertaining F. Scott and Zelda Fitzgerald and the Hemingway's and Picasso was a very special time for all involved. This book speaks about a generation not so far removed from our own in the sixties. They were brilliant, wity, artistic and seemed to relish each others company. They thought it would lasr forever. How sad that it couldn't. This was a lovely read.

An American Literary Classic:
What a beautiful, bittersweet work! It will leave you informed, inspired, exalted -- and annoyed that it doesn't go on for another 400 pp. Gerald and Sara Murphy knew and supported and inspired Hemingway, Dos Passos, Archibald MacLeish, Dorothy Parker, Edmund Wilson, Benchley, Fitzgerald, Philip Barry, the glitterati of five decades -- and yet, in many ways, the Murphys outglittered them all, at least if success as human beings can be measured in terms of fundamental decency and intelligence and kindness combined with impeccable grace and taste. The Murphys had everything, gave most of it away, their treasure and their souls, and enriched the literature of an era. "Everybody Was So Young" will wring you out and leave you in grateful tears.