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From Amazon.com: Federico Fellini's 1984 And the Ship Sails On is one of the late master's most fanciful projects, while simultaneously striking one of the most somber notes in the director's filmography. The year is 1914, the eve of World War I and the coming destruction of Europe's old, cultured aristocracy, an elite class mourned in many a film from Renoir's The Grand Illusion to Truffaut's The Green Room. A luxury liner sets sail from Italy, full of artists, a royal entourage, and one rhinoceros. The point of the voyage is to scatter the ashes of a world-famous diva, but the exotic passengers--blithely unaware of the imminent conflict--have many, more private intrigues going on behind closed doors. Still, it is the self-containment and formality of these travelers, at once absurd and moving, that sticks with the viewer: the way the many singers, musicians, and conductors (and one plump archduke) seem aware, in public, of embodying a privileged history. Fellini films all the action aboard an impressively lush and blatantly artificial set, with a painted sky, paper moon, and cellophane sea, all underscoring the dreamy, precious nature of this adventure. The camera itself becomes a kind of character via a determined journalist (Freddie Jones) who speaks to us directly, drawing the film into vaguely obscene disruptions of an otherwise serene formalism. --Tom Keogh
a though provoking film: This review is for the Criterion Collection DVD edition of the film. The film's original title is "E la nave va" It follows the story of an ocean liner going into the Mediterrainian Sea to scatter the ashes of a famous singer near the island she grew up on. The film takes place just before the start of World War I. The assassination of Ferdinand is mentioned as just having happened partway through the film. They later take on Serbian passengers and the crew suspect them of being spies. Unfortunately, there are no special features on this DVD. The film has some interesting scenes. The beginning scene reminded me of the first scene in the 1997 version of Titanic witht he black and white slow silent footage of the ship. Later the film seuges from black and white into color in a manner similar to a scene in Andrei Tarkovsky's Solaris which was released by the Criterion Collection on DVD exactly 1 day before the release of Steven Soderbergh's remake of Solaris. The film has some some humorous scenes one of which is a man singing in a bass tune, causing a chicken to fall asleep. This is a must for anyone interested in Italian cinema.
What a great film: I really loved this movie-it's funny, moving, and completely inventive. This is my first impression after just watching it at face value, and NOT reading into it (in response to the previous reviewer). Maybe to some it's slow moving, but I found it very enjoyable and constantly entertaining. I really found nothing wrong with this film-it is an engaging look at a variety of characters and stories, and is very touching. You should buy this movie (or at least see it!).
Underrated Fellini film is a dazzler by all means: The problem with people who've watched past Fellini films expect the same cinematic effect from his later ones. There's a certain magic that exists in the first few Fellini films you've watched. He makes you create movies in your own mind through a flowing series of fantastic images. Fellini's films don't really say too much in contrast to Bergman or Bunuel or even his pupil Wertmuller save for his constant jabs with the aristocracy and organized religion. Most of his films are made to serve the purpose of essential cinema. One just has to watch and enjoy the scenery like does a painter's obra maestra. And that is where his genius in artistry lies. He's not like other colleagues of his who are burdened with social responsibility to weave images out of their moral consciousness. Such is the case of And The Ship Sails On. This is one movie that dazzles both the eye and ear. Sit back and relax and let yourself be glided through this experience in Felliniesque phantasmagoria. True enough, the Criterion version does not offer extras which may make one think twice about the price of the disk. But then, a Fellini DVD is worth more than a lot of others of the same price range. Enjoy!
Not A La-Strada-Feeling. No Screen That Striked Me. Flat!: ...I own this movie, and I have not watched it fully out. Every time I turn it on I feel that Fellini is trying to show us every detail, and for me they are not psychologically deep enough, no screen that captured my mind. This is totally not a La-Strada-like picture, please do not make the mistake as I buying this with the expectation from La Strada, you should watch it before you buy. And don't get me wrong, there are other good Fellini's films too like Satyricon.
A typical Fellini - beautiful as usual: excellent film. be sure to pay close attention to the scene where two older guys make "great" music with their bare hands and wine glasses...
| Actor: | Freddie Jones | | Actor: | Barbara Jefford | | Actor: | Victor Poletti | | Actor: | Peter Cellier | | Actor: | Elisa Mainardi | | Aspect Ratio: | 1.85:1 | | Audience Rating: | PG (Parental Guidance Suggested) | | Binding: | DVD | | Director: | Federico Fellini | | D V D Layers: | 2 | | D V D Sides: | 1 | | EAN: | 9780780022270 | | Format: | NTSC | | Format: | Subtitled | | Format: | Widescreen | | ISBN: | 0780022270 | | MPN: | DAND090D | | Picture Format: | Letterbox | | Region Code: | 0 | | Release Date: | 2002-10-01 | | Theatrical Release Date: | 1983 | | UPC: | 037429139028 |
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