[.ca] To the King a Daughter: Volume One of The Cycle of Oak ... (ISBN 0812577574)

From Amazon.com:
This novel from beloved writer Norton and coauthor Miller begins a new fantasy series: The Cycle of Oak, Yew, Ash, and Rowan. Fans of Norton's classic Witch World stories will find familiar terrain in this tale of a crumbling kingdom besieged by dark forces. Oak, Yew, Ash, and Rowan are the four legendary powers of the world, now fallen on hard times after years of warfare and mutual betrayal. Weak-willed Boroth, King of Oak, and his scheming wife, Ysa, sorcerous Queen of Yew, hold the monarchy for now. Desperate to escape the ancient prophesy that a Daughter of Ash will claim the throne, Ysa orders the death of Boroth's runaway lover, Lady Alditha of Ashe--without knowing Alditha has already given birth to Boroth's bastard daughter, Ashen. Years pass. Boroth's health fails. As Ysa grooms her unworthy son, Florian, to inherit the throne, Ashen is raised by Zazar, a wise woman living with the Bog Folk. When Zazar dies before she can warn the girl of her true heritage, Ashen must trust her instincts and the little magic she knows for protection. After she saves Obern, the dashing son of Snolli, High Chief of the Sea Rovers, who seek alliance against enemies from the north, Ashen and Obern travel to court with Lord Harous, who distrusts Ysa's intentions. Here book 1 concludes, almost as soon as the story really begins. While Norton fans will be eager to read her newest book, they're likely to be disappointed by its slow pace and minimal storyline. --Charlene Brusso

Unpolished, but has potential:
As other reviewers have reported, this book is not up to Andre Norton's standards. Its characters are somewhat sketchy (especially the latecomer character "Marcala,"...). Zazar seems intriguing; there are hints about her past, but little attention is paid to her in the text. The emotional focus of the book is clearly on Ashen Deathdaughter, so I was disappointed that so much of the book was spent examining other characters -- Ysa, the Queen, for example, gets chapter upon chapter of page-time, though her character seems forced and stiff. The physical environs and cultures described in the book are somewhat better treated. It seems clear that the kingdom of Rendel is meant to resemble medieval French culture, with its intricate politics and emphasis on grace and beauty. The "Sea-rovers" are rather less convincing as Viking analogues, but nonetheless rather interesting. The Bog-culture I thought poorly handled, particularly the habit of the Bog folk to speak in ungrammatical "ugh ugh me savage, kill you good" fashion. It goes beyond the point of adding regional flavor and well into the realm of caricature. The book's single biggest flaw was its pacing. It took an AGONIZINGLY long time for all of the disparate characters to meet one another. If you think of Ashen, Obern, and Ysa as the three main characters, I'd say about two thirds of the book passed before any one of them met any one of the others. That said, the series might have potential. Now that each of these characters has been introduced, in the next book the authors can roll up their sleeves and get down to some actual story with all the elements that have been set up. This first book seems to me to be mainly a way of setting the stage for things to come, though it certainly could have been better done in about half the space. I mentioned above that this book is not up to Andre Norton's standards... Notice that the book is *co-authored.* I think most of the actual book was written by Sasha Miller, and that Norton served primarily for oversight and advice. I am somewhat doubtful of Ms. Miller's abilities based on this book; but you have to start somewhere, so I would be willing to buy and read one or two more books of hers before rendering a final judgement.

Unpolished, but has potential:
As other reviewers have reported, this book is not up to Andre Norton's standards. Its characters are somewhat sketchy (especially the latecomer character "Marcala," really the Queen's spymistress). Zazar seems intriguing; there are hints about her past, but little attention is paid to her in the text. The emotional focus of the book is clearly on Ashen Deathdaughter, so I was disappointed that so much of the book was spent examining other characters -- Ysa, the Queen, for example, gets chapter upon chapter of page-time, though her character seems forced and stiff. The physical environs and cultures described in the book are somewhat better treated. It seems clear that the kingdom of Rendel is meant to resemble medieval French culture, with its intricate politics and emphasis on grace and beauty. The "Sea-rovers" are rather less convincing as Viking analogues, but nonetheless rather interesting. The Bog-culture I thought poorly handled, particularly the habit of the Bog folk to speak in ungrammatical "ugh ugh me savage, kill you good" fashion. It goes beyond the point of adding regional flavor and well into the realm of caricature. The book's single biggest flaw was its pacing. It took an AGONIZINGLY long time for all of the disparate characters to meet one another. If you think of Ashen, Obern, and Ysa as the three main characters, I'd say about two thirds of the book passed before any one of them met any one of the others. That said, the series might have potential. Now that each of these characters has been introduced, in the next book the authors can roll up their sleeves and get down to some actual story with all the elements that have been set up. This first book seems to me to be mainly a way of setting the stage for things to come, though it certainly could have been better done in about half the space. I mentioned above that this book is not up to Andre Norton's standards... I am somewhat doubtful of Ms. Miller's abilities based on this book; but you have to start somewhere, so I would be willing to buy and read one or two more books of hers before rendering a final judgement.

Setting the stage:
The book had a LOT of potential but didn't really fulfill any of it. The reader is left completely unsatisfied that anything productive has been done minus that the stage has been set for (hopefully) a sequel in which there will be some actual ACTION. I found it very frustrating that the authors had three different threads of events going on and didn't weave them together into any kind of conclusion. Instead, the book is basically bringing those three threads together. End of story. Nothing resolved. I wouldn't buy this book until a sequel is published and the sequel has been determined to actually DO something. Only then will this book be worthwhile for background.

Mutable Time & Geography:
This was the first Andre Norton book I had read in many years and I was very disappointed in it. I had much higher expectations. What really annoyed me about it was the highly mutable geography and timeline. The map was nothing like the geography described in text. The Bog was north, west, or south of the kingdom depending on what paragraph was being read. A teenage girl could cautiously walk through the dangerous bog in a few hours but it took a week for sea rovers to sail around the edge. The antagonist could magically scry upon the protagonist, spend several days doing other things then scry again and only a few hours would have passed in the life of the protagonist. There was no thought, logic, or consistency to matters of time, travel time, and geography; and I found that very aggravating.

A Time of Decline:
To the King a Daughter is the first volume in the Cycle of Oak, Yew, Ash and Rowan trilogy. This new fantasy series describes the history of Rendel during the period after the strike of the great thunder-star has freed the Great Foulness. Once there were four great powers in the world -- Oak, Yew, Ash, and Rowan -- but time and war have reduced these powers to shadows of their former glory. The King of Oak is a drunken lout, the Queen of Yew is a magical schemer, and Ash and Rowan are nearly dead. In this novel, a woman pregnant with the King's daughter, and Ash's heir, flees to the Bale Bog, there to give birth and die. The newborn is named Ashen Deathdaughter by Zazar, the Wysen-wyf who delivers her. Ashen is raised as Zazar's apprentice, doing lessons and chores and running through the boglands. Since she is an Outlander, the bog-folk would, by custom, have tossed her into the nearest bog, but Zazar protects her. As she grows older, the young men are somewhat ambivalent about her, both attracted and repelled. The soldiers of the Yew who have followed Ashen's mother's party believe that the pregnant woman has been lost in the mire, which would surely please the Queen, for now there would be no others to dispute her son's right to the throne. Of course, the young prince is only concerned at this time with bargaining for a pony of his own and, as he grows older, he learns that visits to his ill father are worth plum pudding for desert. So like his father, Queen Ysa thinks, but there is still time to train him to loftier pursuits. In the far north, the only city of the Sea-Rovers has been destroyed by the tsunami following the thunder-star strike. The surviving ships rendezvous with their High Chief, Snorri, in the land of the Nordens, but then sail on to establish a new city on some hospitable shore; to repay the kindness shown them, the Sea-Rovers transport a Norden emissary, Count Bjauden, to Rendel. Unfortunately, after near three years of battles, the Sea-Rovers are driven out of their new lands by a enemy from the northern ice regions and they have to flee again, this time to the Ashenhold in Rendel. Snorri's son, Obern, is sent ahead to scout and to find a safe harbor. In Rendel, Queen Ysa spins her webs and, after she gains the four great rings of Oak, Yew, Ash and Rowan, uses their magic to forward her plots. She has virtual control of everyone in Rendel...except her own son. Indeed, the young Prince, out of spite, commissions one of the house servants to assassinate Count Bjauden and leave his body in a ruined city in the Bog. This series is based on an archetype in many religions, the weavers of lifelines, who have been known in various times and places as the Fates, the Norns, Brigit, and other names. Certain trees are significant to most of the Western European religions, but the mythos of the Oak, Yew, Ash, and Rowan is specific to the old religions of the British Isles and France, particularly to what is now known as Wicca. Thus, the background of this story is drawn from the mythology of Pre-Christian Europe that has figured so prominently in other Norton stories. However, the story overlays this religious context on the architecture, dress, customs and mores of Western Europe of about the 14th century CE, yet with neither the influence of Rome nor the competition between England and France. Sasha Miller has previously contributed a story to Norton's On the Wings of Magic anthology in The Turning series of Witch World related writings. She has also written Ladylord, a fantasy novel similar in plot, but not treatment, to Moore's Jirel of Joiry. Insofar as I am aware, this is the first novel that she has co-authored with Norton. Recommended for Norton fans and anyone who enjoys war, magic and feudal politics in a fantasy setting.