[.ca] How to Understand and Use Design and Layout (ISBN 089134358X)

Less than useful:
A frustrating book. My initial impression is that I could have written virtually all of it myself. The book consists of a large number of 1/2 or 3/4 page essays, superficially describing some aspect of design (color, line, type, shape-with-type, etc), and urging the reader (basically) to try lots of things and see what looks the best. In between the essays are small illustrations of design drafts or finished products, with short and generally unenlightening captions. I expected more! There are a few bits of concrete advice in the book, but many are so vague as to be unhelpful ("consider the use of color in your design"), and some are simply wrong. For instance, it's hard to credit the statement "it is unlikely that a light, classic serif type will mix with a heavy, sans serif face", when it's printed in a light oldstyle serif face, under a heading that's in (you guessed it!) a heavy sans. On another page, some advice about the cost of color choices seems to show a misunderstanding of how the four-color printing process works. On at least two occasions, the text refers to an illustration "on this page", when no illustration matching the text description actually appears anywhere in the book. The diction is odd and stilted, as though it were imprefectly translated from the Korean, or perhaps the Icelandic. Can You Parse This: "The emphasis in describing this product range is the link between acceptable branding style described by choice of type and the various options in positioning the visual content." Huh? Another oddity: the book mentions computers exactly once, in a confused sentence about phototypesetting. Given that the majority of design projects these days use the computer in at least one stage of design (and often many more), this seems unaccountable. Perhaps there are things in this book that would be helpful to someone with a cognitive style very different from mine, but I found it disappointing, and the few possibly-valid pieces of advice and interesting illustrations not worth the price or the time.

Lazy and lacking in explicitness:
Please read David M. Chess's eloquent review of this poor-quality book. I intuitively felt much of what he was able to say with his obviously greater design education.

Excellent Resource for Beginning Designers!:
New designers will appreciate Swann's illustrated step-by-step process from learning design principles to developing the concept to completing the project. His case studies also are very good. Swann has a pleasant writing style that is illustrated nicely throughout the book -- certainly makes it easy to get what he says and apply it. And he still believes in "thumbnail sketches" -- which aren't touted enough in today's digital world. Artists, including graphic artists, should still be able to sketch an idea. I also believe that to be true. I have used both the old and the revised editions of this book and recommend all of Alan Swann's books (irregardless of age) be added to the beginning design library. There's something valuable to be learned in every one of them. I am happy to see that "Design and Layout" was selected for revision. It is a fine resource.

Excellent Format For Fluid Reading and Clear Learning:
I was looking for something more than a "picture book" as many publish today. This book delivers the goods! Both in design and syntax, the author brings the novice through the fundamental stages of creative pagination. Don't buy another graphic design book until you own and read this one. No beginning gdesigner should be without this on their bookshelf.

Book not for General Designers:
This book targets all Designers (Designers in Print, Packaging, Web Design...etc), so I would not suggest it if you are looking for a specific book about your choice of field in design. It is also not suitable for designers who knows the basics of design, because it talks a lot about elementary stuff. Generally it is a good, easy to read book with lots of examples and excercises.