[.ca] Sex, Drugs, Rock & Roll (ISBN 1559361247)

From Amazon.com:
From Spalding Gray to Anna Deavere Smith, monologists have become a real power in contemporary theater. Few have had the savage impact of Eric Bogosian, who continues to get inside working- (and formerly working-) class Joes with attitude in his 1990 Monologue of 12 Characters. Among the vivid rebels he incarnates are an artist who resolves to keep his art inside his head to prevent "the system" from commercializing it and an entire group of blue-collar guys whose wedding-eve party for a buddy turns into a merry sleigh ride to hell. The virtuoso piece of Sex, Drugs, Rock & Roll shows a high-powered executive who juggles business partners, enemies, spouse, mistress, and children on a cellular phone, showing each a distinct side of his twisted personality.

Save Your Sanity, Read This Book:
Eric Bogosian is one of those writers, like J.D. Salinger or Raymond Carver, who makes me feel like I am not alone. I'm not the only detached observer wondering why the current state of humanity is so absurd. Bogosian always writes about junkies, losers, and heartless bastards. But they always have something that is perceptive and interesting to say. As the last charcter in the book, a nameless "Artist" says, "If they know what I was thinking, man...I'd be dead." I feel the same way with the wealth of "irrational" thoughts that float around in my head. Bogosian is also an expert satirist. Are you tired of self promoting, so called "charitable" rock stars? Read "Benefit," in which a Keith Richards-type figure encourages television viewers to support his "Amazonian Indian" fundraiser. Why? Because they don't even have Pepsi. After reading this book, I find like at least there was some one else who shares some of my views on life. And that revelation felt like it might have saved my life.

Brilliant theater:
This work amazed me. Acting is generally seen as a cooperative effort, but this collection of monologues proves that wrong. Usually funny and almost always far more insightful than anything in the movies, this work takes an often ignored route to exploring contemporary American culture. Some people may be offended by the vulgar nature of some of the monologues (such as Dirt, in which the only word in the first sentence that is not an obscenity is 'ya'), this very vulgarity is a reality of life that is necessary to accept in order to understand what Bogosian has to say.

Brilliant and Powerful:
Bogosian has a knack for creating compelling characters. A common aspect to all of his characters is desperation. Whether it the paranoid desperation of the "Artist" who stopped making art because "they" would know what he was thinking to the quiet despertion of the homeless "Bottleman" who finds comfort in collecting bottles or cans ("Bottles or cans, it makes no difference") so that he can enjoy an egg salad sandwich to the despertion of the man who calls "Candy" for a good time. Right from the beginning, Bogosian (both in writing and as the lone actor in a one man show) pushes the envelope in establishing characters who live on the edges of society and who feel the pressure of desperation in their lives. For those of you who are interested, the movie "Talk Radio" has Bogosian exploring themes similar to those explored in "Sex, Drugs, ROck & Roll."