[.ca] White and Other Tales of Ruin (ISBN 1892389347)

Things fall apart.:
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. W. B. Yeats One wonders whether "The Second Coming," excerpted above, is among Tim Lebbon's personal favorites. Its sentiments permeate much of his work, including the six stellar novellas that have been collected in White and Other Tales of Ruin. Ruin is defined as "total disintegration, either physical, moral, social or economic." The concept is pervasive throughout these cautionary tales of quest and survival. Tales dealing with quests include "Hell," a modern day Inferno, detailing a man's search for his missing daughter, 'Mannequin Man and the Plastic B**ch," in which a synthetic man's love for another artificial life form may prove to be strong enough to change the world, and "From Bad Flesh," in which the protagonist seeks a cure for the virulent disease that is slowly killing him. Interestingly, "the Ruin," Lebbon's term for "an ambiguous nasty fate that has befallen society," provides the depressing backdrop for this tale. "The Ruin" also precedes the events chronicled in "White," the story of a group of friends under siege by forces they can't comprehend. Other tales of survival include "The First Law," in which shipwrecked sailors are attacked by an island that has evolved into a sentient entity, and the poignant "The Origin of the Truth," in which nanotechnology has gone awry, threatening to wipe the entire planet clean. There's a tension in each of these novellas, a tension arising from the conflicting emotions of hope and despair. Lebbon himself addresses this tension in his story notes to "Mannequin Man." He muses, "And still, however different the worlds may be, the Ruin is always there. The ills of society, perhaps. The inevitable future. The slide into chaos and decay which humanity faces as a race. Cynical and pessimistic maybe...but what better places to tell stories about the triumph of the human spirit?" What better places, indeed?

Into the light of the creeping darkness I slide......:
If you love spellbound, creepy tales of unbound terror and dread that comes from the soul, do not miss Lebbon's collection put together here in "White & Other Tales of Ruin." This is the first book of Lebbon I have read, and believe me I am running to the bookshelves for more. His monsters are typically unseen but felt deep within your senses, rousing your inner level of safety to an alarming state of anxiety and trepidation. The prose is poetic in its telling of what the protagonists feel and taste and smell and see, the dialogue flowing and smooth, and the terror huge and real. With a wonderful introduction by author Jack Ketchum, he mentions that Lebbon's stories have "teeth", and indeed they do; trust me, you will feel the bite. Also notable to me was the use of Caniglia's "On The Edge Of Paradise" artwork used for the jacket cover, and preceding each story is another horrendously beautiful sketch of Caniglia, whom I think is one of the most talented modern day artists. There are six tales here in this collection, and I will give a brief summary of each. White - Some people called it "The Doom", others called it "The Ruin", but either way it spelled a change in the world as we know it. Seven people find themselves trapped in a large manor house, each having initially gone there to get away from the haunts of their past. When the snow came, it didn't stop, and now everything is completely frozen, as the snow piles up higher and higher. There is no working transportation to take them back to the town 10 miles away, so they wait for the snow to stop. Tension grows as one by one, each admit to having seen something in the snow; a deer perhaps, or a seagull or a cat, flitting just outside their peripheral vision. The only thing they know for sure, is that it's white. The story begins with the first death, and will lead us through to the conclusion, with the things that dart and flutter just outside our vision. From Bad Flesh - One of my favorites. After The Ruin, diseases of different sorts are spread throughout the world, with names like Numb-Skull, TGD, and QS. Our protagonist Gabe has what is just referred to as The Sickness, and his friend Della tells him of a man named String who lives on the island of Malakki near Greece who could possibly have a cure for his deadly illness. So Gabe travels to Malakki, where the dead are piled up in the harbor like cordwood and the Lordships still do their fly-by's. Here he meets Jade, a beautiful woman, who saves him from an insane crowd and promises to take him to String. Their journey up into the mountains is hellish and gripping in its intensity, revealing horrors to Gabe that he had not thought humans capable of. They reach the little village where String lives, surrounded by a glass moat, and Gabe and Jade are welcomed into the village. Who is String, and where does he come from? What is the secret to his cure? How does he have this power? Will Gabe receive the cure? Lebbon will suck you into this tale and not leave you disappointed in the end. Hell - Not necessarily my favorite, but I think only because I was spoiled by Edward Lee's vision of hell in his book City Infernal. Lebbon's vision of hell is just as disturbing though, as voyeurs take a tram journey through hell, watching the horrors through the shaded windows while strapped into their comfortable seats; all to prove that "things could be worse in their own life". After Nolan's wife dies, his daughter Laura suddenly goes missing; and imagining her under the sway of some religious cult, Nolan takes the tram into hell to search for her. When he sees her actually inside hell, strung up upon a barbed wire fence, he fights the demons who control the tram with the help of Chele, a woman who lost her son, and manages to escape the tram and enter hell itself. Together they save Laura from the fence, but now they are stuck in hell, and don't know the way out. The First Law - Incredibly creepy story of five survivors adrift in a lifeboat after their ship is torpedoed during the war. Their lifeboat has been aimlessly drifting for five days, and the five men are sunburned and dehydrated when the oceans currents pull them straight to a strange island. Right at the start, one of them behaves very strangely, and although there is fresh water and the signs of available food about, something about the island is just...not right. This is the creepiest tale of unseen monsters and inexplicable tragedies with such an overbearing sense of dread and ruin, that this story alone makes the price of the book worthwhile. Follow our survivors to the end of their journey, and you will not leave unshaken by the horrid revelations and hidden terror prevalent on this strange island that does not belong to the normal world. The Origin of Truth - The scientists have done it again, and this time they have unleashed millions of "nanos", microscopic man made organisms that stripped any type of matter down to the atoms and used it to replicate themselves. The entire world was being eaten, bit by bit. Doug flees the city with his wife Lucy-Anne and daughter Gemma, spilling out from the city along with everyone else. They wind out taking refuge in Scotland with Lucy-Anne's mad uncle Peter, to wait out the last days together. Very well told apocalypse tale, original and deeply moving. Mannequin Man and the Plastic Bitch - Can Artificials love? Tom had once belonged to The Baker, and long ago that eccentric man had implanted a rogue program into Tom to allow him to love. Years later, after The Baker is dead, Tom falls in love with a hooker named Honey, an Artificial herself. He must steal her away from her pimp, Hot Chocolate Bob, who follows them through the city and into the underground. But surprisingly, Honey doesn't want to leave right away, insisting on visiting a club called The Slaughterhouse first, to see her friend Doug Skin and get him to release her. Very interesting tale of a futuristic landscape where "chop-shops" are common, sort of a plastic surgery gone awry trend where people can add or remove body parts, or make themselves ten feet tall, or intensify their vision, or become a human spider. Anything goes. Honey and Tom try to find love in all this, but if Tom is the only Artificial that really has love, will he be able to share it? Great story, don't miss out on this fast paced futuristic horror story that will make you feel for those who are incapable of it. Don't miss out on this masterful collection of stories. Enjoy!

Grim, Gruesome, Top Notch:
After reading a positive review of this book in Cemetery Dance magazine, I took a chance and bought it. Good move! I haven't read Lebbon until now, but I am impressed. The stories in the collection are very grim and extemely gruesome, but not at the expense of memorable characters who actually behave in a realistic manner considering the circumstances that they find themselves in. The sense of place in each story and the overall doom-laden-planet scenario that is used as a loose backdrop are both extremely well done. Top-notch!

Good, not great, collection:
My first experience with British author Tim Lebbon was a mixed one. My voracious appetite for apocalyptic tales virtually insured I would visit his writings one day. It seems that every book this author has written involves the collapse of civilization followed by horrific incidents, or at least that is what I have gathered from reading plot synopses of his various novels and short stories. When I finally decided to shell out some bucks for one of his books, I decided to pick up "White and Other Tales of Ruin," figuring that a collection of six short stories about the end of the world would give me a rather comprehensive view of what this guy is all about. The experience started on a positive note: none other than Jack Ketchum, of "The Girl Next Door" and "Red" fame, wrote an enthusiastic introduction for this compilation. Ketchum claims that Lebbon represents the cream of the crop of new young writers, a man who has "done his homework" and has a lot to offer fans of the horror genre. Since I am a fan of Ketchum's work, I took this as the best sort of endorsement, and eagerly dove into the first story. By the time I reached the end of the book, I was less enamored with the introduction's effusive praise. There are good stories here, but a few are rather pedestrian. "White" introduces the reader to Lebbon's concept of "The Ruin," a series of catastrophic global events leading to the gradual extermination of humanity. Details are vague, but we do get a sense that limited nuclear exchanges matched with several devastating viruses have claimed, and continue to claim, the lives of several billion people. Even worse, nature itself is changing in dangerous ways. The Ruin will reemerge in other Lebbon stories, but "White" focuses on the terrible effects of the calamity on a small group of people trapped in a decaying manor along the English seacoast. Heavy snows and an ominous new life form roaming the countryside insure the characters will have their hands full just trying to stay alive. Told through the eyes of one of the trapped souls, a man who lost his beloved wife to one of the viruses some time before, "White" is Lebbon's attempt at writing a siege story. It's a keeper, full of cloying atmosphere, suspense, and occasional touches of gore. "From Bad Flesh" is another Ruin tale, this time about an English man suffering from a grotesque plague seeking a cure on a remote Greek island. In his quest to find a witch doctor named String, this poor chap runs into a beautiful young woman with several secrets, witnesses many atrocities on the island, and learns how a cure can sometimes come with a terrible price. "From Bad Flesh" is a by the numbers story, one where I saw the ending coming long before it knocked on the door. If you cannot see the conclusion to this one in advance, you haven't been keeping up on your horror reading. Not a bad tale, considering several scenes of unpleasantness thrown into the mix, but far from spectacular. "Hell" was the weakest contribution to the book. A man whose daughter mysteriously leaves one day literally visits the underworld in an attempt to feel better about his loss. It's one of those "you think you got it bad? Check out these poor blokes" stories. The guy witnesses staged genocides and mass sufferings through the windows of his Hell tour bus (!), all a part of a carefully orchestrated therapy program. When he sees his daughter in one of the landscapes, he escapes from the bus and makes his own personal journey through the nightmares. Will he rescue his offspring? Will they escape from Hell before demons turn them into hamburger? Maybe, but getting to the end of this story was quite tedious. I never knew where Lebbon was going with this unsatisfying tale. "The First Law" and "The Origin of Truth" are somewhat better. The former is a story about some sailors stranded on a terrible island after a submarine sinks their boat. They find out that their newfound land harbors a nature so pure that it cannot tolerate the presence of human interlopers. I liked the story solely because it turns the conventional idea of shipwrecked people finding sanctuary on a deserted island on its head. The latter story relates the horrors of nanotechnology run amok through the eyes of a young family. As the world collapses into its component molecules under the relentless march of replicating miniature robots, the family flees north in an effort to stave off the inevitable. Lebbon plays with your head as he has the young girl, Gemma, begin channeling advanced scientific theories from seemingly out of nowhere. Perhaps this girl can save humanity? Or perhaps not. Whatever the case, you'll feel for these characters by the end of the story. The last story deals with a depressing future where humans interact with artificial androids. It's a technological and polluted world filled with bored souls looking for a good time through "chopping." Think body modification and piercing carried to insane levels (adding extra legs, arms, and other body parts), and you'll get the idea. The story can be nasty at times, but it is really about the restorative powers of love. Sounds weird, huh? Well, it is. It is also arguably the best story in the book. According to the endnotes, Lebbon wrote it just for this collection. "White and Other Tales of Ruin" is a good way to spend a day or two, a good read for those interested in new horror, but nothing here trumps "Swan Song" or "The Stand," the two books that are the best apocalyptic horror has to offer.