[.ca] Olivia (ISBN 2020410877)

From Amazon.com:
Olivia would be Eloise, if Eloise were a pig. She is good at singing 40 very loud songs and is very good at wearing people out. And scaring the living daylights out of her little brother, Ian, particularly when he copies her every move. She is also quite skilled at reproducing Jackson Pollock's "Autumn Rhythm #30" on the walls at home. When her mother tucks her in at night and says, "You know, you really wear me out. But I love you anyway," Olivia precociously pronounces, "I love you anyway too." The New Yorker artist Ian Falconer's endearing charcoal portraits of his porcine heroine are spotted with fire-engine red gouache in all the right places--perhaps a tribute to Hilary Knight's red, pink, white, and black celebrations of Olivia's human counterpart? When she dresses up, the bow on her ears, her red lipstick, and her high-heeled shoes are all red. (The only time her shades-of-gray body is pink is when she is sunburned and the area where her bathing suit was is white!) Falconer does a fine job of letting the spare text set up the jokes for the visual punch lines--a dryly humorous interplay that adults will appreciate as much as children. Preschoolers (and their parents) will see themselves in Olivia--a typical high-energy, over-the-top kid who likes the beach and Degas paintings, but hates naps. On the other hand, she combs her ears and is unusually gifted at sandcastle building. While we are certainly reminded of Eloise, Falconer's portrait is simpler in scope, less demented, and, as a result, less adult. Bottom line: precocious is fun, and we're tickled pink to have Olivia join the parade of, let's just say, individualistic youngsters. (Ages 4 to 8) --Karin Snelson

Chronique amazon.fr:
Des personnages en clair-obscur, simplement dessinés avec quelques touches de couleurs, beaucoup d'humour sous le crayon et une élégante typographie, voilà les principaux ingrédients qui sauront conquérir les petits à partir de 4 ans. L'histoire racontée par cet auteur américain de talent est craquante : Olivia est un petit cochon, très douée pour épuiser tout le monde et s'épuiser elle-même. Entre ses parents et son petit frère Perry, elle apprend la vie et nous la fait partager au quotidien. C'est tendre, émouvant et inventif. Baobab de l'album 2000 (prix décerné par le Salon du Livre Jeunesse de Montreuil, en partenariat avec le journal Le Monde). --Pierre Valéry

Trying to be objective:
It seems that people either love or hate this book, so I thought I'd try to throw out an objective point of view. When my four year old daughter picked Olivia out at the library, I could not figure out why. The illustrations are basically black and white with hightlights of red. I prefer bright, primary colors, especially for young children, so my first thought was that it was boring. I read it to my daughter and found the story to be cute. It draws you into the pictures because the text is incomplete without them. I noticed that some people with boys didn't seem to like the book. I'm not surprised. Olivia is mischievous, but she is definately a girl, and therefore probably appeals to girls much more than boys. Of course, I have three girls and no boys, so I don't know exactly what appeals to boys. No, Olivia is definately not a good role model, but do all of our kids' books have to show perfect role models? After all, what child is really like Emily Elizabeth of Clifford, and what parents are really like Caillou's? (PBS shows if you don't know.) Poor role models offer us the opportunity to discuss with our children what behavior is proper and what behavior is not proper when they are not misbehaving and therefore are much more receptive to hearing it. Not that they should be allowed to read anything and everything, but I believe that it's important to show them real life, too. The important thing to me is not what other people think of the author or the book. Rather, do I approve of the book, and do my children like it. In my case, it is yes and a resounding yes (my daughter asked me to read the book so many times that I was glad it was a library book so I could return it!) Truthfully, if it was up to me I'd give the book only two stars. But since my daughter liked it so much, I had to go with four. But just because we like it doesn't mean you will. I'd recommend (as some others suggested) check it out from your library. Then you'll know if it's worth your money.

You Must be Kidding, This book is Horrible:
I agree with one of the other reviewers who said that it's for the hip mommies and daddies, I don't agree that this book is wonderful however. This book is written more to impress the adults reading the book than it is written for the child listening. The illustrations do look like they belong in the New Yorker, and the last time I looked that magazine was not for children. There are alot of wonderful , beautifully illustated books out there for children , spend your money on them and let the adults read Olivia.

The most charming pig since Wilbur himself:
Ian Falconer has done many an amusing cover for "The New Yorker" in his day, so it is only fitting that he be responsible for the most New York-inspired children's book since Eloise decided to wreck havoc in the Piazza. For those of you who have never met the charming Olivia, this is probably the best book to begin with. Less pretentious than its sequels, in it you meet Olivia, her family, and her penchant for extravagant imaginings. Drawn in beautifully shaded black and white, this particular tale is dotted with brilliant flashes of Olivia's red belongings. Her adventures are quite tame. Following the day to day adventures of an average child, the viewer views Olivia going to the beach, into her closet, to the museum, and at last to bed. Reviewer Dwight Garner recently noted in his New York Times Book Review that, " 'Olivia' is one of those kids' books... that hip mommies and daddies like to give to the children of other hip mommies and daddies in order to demonstrate, yet again, what delightfully hip mommies and daddies we all are". There's no denying that this book is decidedly hip. I've yet to see a mom in a children's book look as particularly metropolitan (read: New Yorkish) as Olivia's black clad momma. And when Olivia creates a castle, she doesn't go halfway. She creates a sand-skyscraper. Mr. Garner does bring up an interesting point, though. Is "Olivia" something kids actually love and hold dear to their hearts, or is it something that parents love and hope their kids will get into? Who doesn't want their children to be inspired by a character that reads about Maria Callas before she goes to bed? I don't know how kids feel about the story. But what I do know is that it's a quality piece of work. The art is beautiful. The story sublime. Plus it's a riot. Olivia stuffed into one of the legs of her mother's pantyhose is a black and white joke hidden in the corner of a colorful montage of Olivia wearing her full wardrobe (love the ballgown). "Olivia" is not going to change the world of children's book publishing. And perhaps it's only ever going to be fully appreciated by people over the age of 18. But with all the crummy two-bit picture books out there ("Love You Forever" anyone?) sometimes it's just a small slice of heaven to read something to your child that's enjoyable to them and fun for you as well.

I Must Be Missing Something:
I don't get it, I've read this book to my son and I think it's boring. Highly overrated.The illustrations are dull and colorless.And the story is about a brat and a boring one at that.There are alot better books to spend your money on than this one. Wouldn't buy another one.As a matter of fact I was so disappointed with the two Olivia books I purchased I returned them.

Cute:
This is a cute story about Olivia, a pig who leads an ordinary preschooler's life. She brushes her teeth, goes to the beach, visits a museum, and even earns a time out. The pictures are attention getting with their unique use of color. Olivia ends her day by listening to a bedtime story, making the book a good wind down before bed. The book has about 250 words.