[.ca] New York Interiors (ISBN 382283565X)

From seizure-induction to the sublime.:
The forty-two profiled homes featured in this book have at least one thing in common, if only one thing: money. Paragraph-sized introductions relate very basic information about the owners and the homes, while straightforward but revealing photographs are followed-up with some light descriptions. With the flip of a few pages we go from a 60's psychedelic Fifth Avenue swing-pad to the gritty textures and castle-like feel of a converted factory on Long Island, and it is this type of glaring disparity throughout that is part of this book's strength but more of a weakness. It's as if the author wished to celebrate the Upper-class abodes in this part of the world, and while the work avoids the homogeny that others in this oeuvre have fallen prey to, one is left with a lingering, indelible question about the interior design of most of these homes: But why? The majority are utterly unlivable ranging from kitsch-heaven to blatant storage receptacles for ill-fitting (if expensive) works of art. Examples include Brooke Astor's Park Avenue duplex which has an `ungodly-rich-old-granny' flower suffocation theme going, replete with innumerable treasures of art and sculpture; or there's Donald Trump's revoltingly ostentatious gold-dripping suite overlooking Central Park; one Wall-street broker's penthouse has a bench inscribed in large lettering with grade school truisms such as "Killing is unavoidable but nothing to be proud of," amidst a dozen others. The novelty quickly wears thin. These people, millionaires all, some of them billionaires, have the money to transform almost anything they can conceive into physical reality, and it is quite underwhelming what many of them come up with, indicating a poverty of mind and spirit in many cases. They can afford a Basquiat or Manet but lack the eye of an artist to bestow a sense of proportion or dignity to a room, something not even the contracted architects and designers can give. Despite these reservations, there are several well-designed rooms in the mix, and a few gems. The best of the lot is Steve Mensch's windowless Manhattan home that has nature sprawling up brick in a large, central courtyard and a sense of guilt-free luxury and calm. For glimpses of a home like this, this book becomes an asset to any library. -Mark Stark