[.ca] Serpent & the Rainbow (ISBN 6301094999)

From Amazon.com:
Eight years before he scored a phenomenal hit with Scream, horror master Wes Craven made a worthy effort to "legitimize" horror with this chilling supernatural thriller, based on the best-selling book by Wade Davis. More ambitious than most horror films, this one allowed Craven to generate compelling plausibility with the fact-based story of a Harvard researcher (Bill Pullman) who travels to Haiti to procure a secret voodoo powder that places people into a state of simulated death. His investigation into the hidden world of black magic grows increasingly dangerous until he's caught in a living nightmare--a potentially deadly predicament that inspired the film's advertising tag line: "Don't bury me... I'm not dead!" Craven pays particular attention to authentic details of Haitian society and the role voodoo plays in Haitian culture, and the film gains additional atmosphere from location shooting in Haiti and the Dominican Republic. Craven would, of course, continue to thrive by making more "conventional" horror films including Scream, but this remains a fascinating departure for one of the genre's most celebrated directors. - -Jeff Shannon

\o2.5\c--How can I not forget this movie, it so desperately needs a makeover..,:
..and being that this movie is close to twenty years old makes it possible. The book passed through several hands as a film property and eventually ended up in those of Wes Craven. His name was most certainly at the forefront of horror directors. The result: ugly stereotypes, anorexic socio-political allegory, scant scares, and Bill Pullman - that's "The Serpent and the Rainbow" in a nutshell. Based on Wade Davis' novel, Wes Craven's lame documentary-flavored horror story follows anthropologist Dennis Alan (Pullman) as he searches revolutionary Haiti for a mystery drug that reportedly raises the dead. With the help of a local psychiatric institution doctor (Mona Lisa's Cathy Tyson), Alan undergoes a crash coarse in the island's history, discovering a culture where 110 percent of the population practices voodoo, including an evil political leader (Zakes Mokae) who's using zombifying white powder as a means of silencing opponents. Imagery of people being buried alive is the film's calling card, and Craven handles his suffocating coffin-encased dream sequences with sufficient skill. Yet in every other respect, the film is either offensive or incompetent, from the sight of blacks behaving like superstitious witch doctors or the dance floor-gyrating possessed, to Pullman's unbearably overwrought performance as the altruistic Alan, to the persistently aggravating narration, which wants to function as helpful connective tissue between scenes but instead only provides a wealth of superfluous information that neither complements nor amplifies the already dull, pointless action. I have seen this movie twice in my life and if its one thing "Serpent And The Rainbow" is, it's stylish. Filmed in my homeland, the movie is loaded with colorful scenery. There's tons of unforgettable religious imagery (due in no small part to the colorful nature of voodoo) as well as lots of great scenes in Haitian graveyards that stick in the brain. There's also tons of Craven-style shots (the nightmare sequences reminded me immensely of Cravens previous works) as well as some bits that came out rather nicely (the shot of a man inside the coffin being lowered into the ground). Performances are decent, especially Zakes Mokae, who plays Peytraud with subtly psychotic menace. Pullman is as wooden as ever (how does this guy keep his job?) delivering lines right from that invisible teleprompter hanging about six inches from his nose. I also question the "based on a true story" factor: people tearing their own head off and tossing them isn't true to life. Hollywood, at times, loves to pick on voodoo given its "minority" status among the faiths and treat it a bit backwards. In reality Voodoo is not based on evil premises as is often portrayed, but instead has it's foundation in Catholicism. The Spirits that are such cornerstones of Voodoo are, in effect, angels with God and Jesus reigning supreme over all. And, there is a dark side. It is the dark side where the elements of control over others and evil show themselves, and this dark world of evil Voodoo is indeed scary. The trouble is, when making a movie with Voodoo elements it takes time and effort to explain the reality of the practice...and it is much easier to just rely on the frightening stereotypes instead. But in this film Craven explores voodoo on a rather scientific level. Although many of the events depicted are still mystic, they are always rational, and if they actually venture into the realms of the supernatural, Craven makes sure the viewer understands that voodoo has also very much to do with mental states and hallucinations inseparably embedded in the Haitian culture. This movie could have been so much better if Craven would have learned that the scariest things often have nothing to do with special effects but the root of all. Recommending this film probably wouldn't be very wise in my part but reading the book is highly beneficial.

Very odd.. but captivating:
Based on a true story, Dennis Allan (Bill Pullman) is a scientist who visits Haiti because of a rumour of a drug which renders the recepient completely paralyzed but conscious. The drug's effects often fool doctors, who declare the victims dead. He believes this to be the origin of the zombie legend. Allan embarks on a surprising and often surreal investigation of the turbulent social chaos that is Haiti during the revolution which ousted hated dictator Papa Doc. Allan must decide what is science, what is superstition and what is the unknown in a anarchistic society where police corruption and witch-doctors are commonplace.

Surprisingly Excellent Creepy Drama/Horror:
Though not nearly as famous as "Scream" or "Nightmare on Elm Street", this is possibly Craven's best film. It isn't a terrifying movie but is a spooky film with a smart, well written story. This is one of Bill Pullman's earliest roles (first time I'd seen him) and he does a great job as a scientist sent to Haiti by a pharmaceutical firm to research the medicinal potential of a mysterious powder known to plunge people into a temporary deathlike state. The story effectively touches many different topics (life under the Duvalier regime, profiteering drug companies, religion, the supernatural...) without overdoing any of them. This is a diamond in the rough. You'll get more enjoyment out of it than you expect. Always a nice situation.

Great, except for the ending.:
This is a well-crafted thriller. It weaves together everything from Amazonian shamans and ayahuasca dream-visions to Haitian voodoo rituals into a ripping yarn that follows the explorations of a Harvard anthropologist in search of the next great medical breakthrough. Retained by a medical conglomerate, he ventures to Haiti to find the secret of zombification. He finds it alright, together with a host of creepy characters and a sexy native doctor. The acting is altogether first-rate. Not a weak performance in the lot (though Bill Pullman is not the best of the group). It's visually fascinating, engrossing, and just enough grounded in reality ... until an ending that is both rushed and almost comical. I don't to ruin it, and you really should watch it--if for no other reason than to speculate about how you might have ended the movie.

Great Craven romp:
Making an attempt to legitimize a horror film, Wes Craven adapted the best selling true life account by Wade Davis into this creepy horror romp. When a Harvard researcher (Bill Pullman) travels to Haiti to find a mysterious voodoo powder which can put anyone whom it is given to in a state of perpetual death, he gets way, way in over his head as he tries to uncover the mysteries behind the black magic. Craven manages to play with the viewer's psychological fears (including arachnophobia and claustrophobia as Pullman is buried alive with a huge tarantula crawling all over him) while inducing a few visceral thrills as well, but The Serpent & The Rainbow is definitely one of Craven's best films thanks to the realistic touch given to the film and Pullman's superb performance. Just like Universal's recent horror DVD re-releases, The Serpent & The Rainbow is devoid of any extras whatsoever, not even a trailer.