[.ca] Beautiful Girls (Widescreen) (ISBN 6305327084)

From Amazon.com:
This town drama from Ted Demme centers on former classmates coming together for their 10-year reunion. Scott Rosenberg's (Things to Do in Denver When You're Dead) script thoughtfully passes over the usual grumblings of young adults who can't believe they still live in the same snowbound town. They accept--even welcome--their blue-collar jobs, whether plowing snow or cutting hair. Willie (Timothy Hutton), the lone wanderer, returns to his listless house in a state of flux, the piano-bar circuit wearing thin as is his relationship with Tracy, a well-off attorney (Annabeth Gish). He isn't the only one with problems. Tommy (Matt Dillon) occasionally sleeps with his now-married high school sweetheart Darian (Lauren Holly) while the earnest Sharon (Mira Sorvino) is left to wait. Paul (another thickheaded role for Michael Rapaport) refuses to commit to Jan (Martha Plimpton) until it's too late. Paul is enamored with the idea of the supermodel (the title's "beautiful girls") that, he believes, can make life perfect. It's a very satisfying comedy, with some forced poignancy (Willie's description of Tracy as a "seven and a half" comes off as a death sentence). Rosie O'Donnell's dissertation on why Playboy and Penthouse have ruined males' expectations is much like Meg Ryan's orgasm scene in When Harry Met Sally...: it's hilarious, even memorable, never wholly believable. The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters as the local barkeep's (Pruitt Taylor Vince) radiant cousin. From the big city, she can flirt with the awestruck guys and still keep her head. Willie's real emotional tug is from Marty, the precocious 13-year-old neighbor. If you didn't see Natalie Portman's sophisticated work in the The Professional, her performance here will come as a revelation. You deeply believe that Willie and Marty are connected despite their age difference. Their courtship will never come to be, but the way the two talk (and talk some more) about their lives is the most insightful part of Rosenberg's script. Everyone's so comfortable in his or her roles that you may truly feel sad when the film ends. --Doug Thomas

Wonderful and Overlooked:
Humphrey Bogart would say the Beautiful Girls in this film are the "stuff dreams are made of." They stand for the idealized version of women that men seek and never find, the constant promise of a better woman just around the corner that keeps men from being able to commit to the real women in their lives. The principle men with that "beautiful girls" hang-up are Willie (Hutton), Birdy (Dillon) and Paul (Rappaport). They hold on to that dream of a better life with a better woman and thus sabotage (consciously or not) all their relationships. Birdy clings to the memories of his high school flame, Paul papers his walls with supermodels and names his dog Elle McPherson, and Willie just wants something beautiful in his life. Although in a relationship with a nice-looking attorney, Willie grudgingly acknowledges she would only score a 7.5 on a 1-10 scale. While not actively looking to replace his "above-average-but-not-great" girlfriend, Willie stumbles into the most charming and memorable sub-plot of the film: his relationship with his thirteen year old neighbor Marty (a totally engaging Natalie Portman). Willie sees in her all the possibilities he dreams about: she is kind, sensitive and dazzles him with her knowledge of psychology and Shakespeare. When she develops a teenage crush on him, Willie must consider the possibility of waiting for this great girl to become an even greater woman. Even though parallels are drawn to the pedophilic exploits of Roman Rolanski and Jerry Lee Lewis, there is nothing creepy or sexual about Willie's feelings for the young girl. The stories play out in a picturesque New England town, deep into a frozen winter. All the guys are re-uniting for their ten-year high school reunion and are forced to deal with the personal revelations accompanying that important moment. Presented with a karaoke bar's dream soundtrack and told with a thoughtful narrative that is poignant and touching without being sappy and sentimental, Beautiful Girls is a wonderful exploration into the love lives of 20-something males.

all you need to know to get this movie:
Ween AND Morphine are on the soundtrack. Enough said.

LOTS TO LIKE:
I saw this film once before but, unawares, rented it again and, even though I realized I had seen the movie previously after it started, I enjoyed even more the second time. This is quality movie-making: good production values, a good script, good acting. I even ordered a Neil Diamond album after watching the "impromtu" singing of Sweet Caroline in a fun bar scene. Ensemble acting at its best, we have Rose O'Donnell, Uma Thurman and Matt Dillon featured along witn talented others. Timothy Hutton is perhaps the most interesting character in the film as a lost soul and his 30-something character's "romance" with thirteen-year-old Marty played by Natalie Portman is truly remarkable. I don't know what federal laws I was breaking but I was in love with Marty and I secretly hoped that Hutton's character returned to get her when she turned eighteen. What an amazing adult woman in a thirteen-year-old's body! They had a fascinating and strange relationship. Uma Thurman is good as the unavailable spirit who visits and then disappears. Her line about looking for a man who can say (and supposedly mean) just four words ("Good night, sweet girl") was memorable. Rosie O'Donnell's rant about men and their attraction for the false and superficial beauty of media images of women was hilarious and almost show-stopping. Lots to like here.

Dumb Guys but Sweet:
Ted Demme has offered us a sweet reunion of small town, New Englander, twenty-somethings. There is some Big Chill here 1990's style, but for the most part, the guys that stayed home and married or almost married are blue-collar, beer drinking, and chick panting types. High school big man, Matt Dillon is still respected for his womanizing skills. Tim Hutton has a girl back in New York City, but his musical career is getting old and his thirteen-year-old neighbor girl attracts. The relationship between a young man and an adolescent could have been really creepy, but there's some deft writing and directing, so we enjoy this impossibility for a few hours. Uma Thurman vamps as the perfect chick. Each of the single guys gives her a rush, but she's just out of reach as any apparition. My wife really liked this one. Maybe there's more appeal to chicks in this flick because Rosie O'Donnell in a minor part sure makes a mockery of men and their desires.

Don't let the title fool you into thinking it's mindless:
I saw the beginning of this movie on cable and then got HOOKED and had to finish watching the entire movie even though I had two young, restless children in the house. The story is about Timothy Hutton returning home for a reunion but the movie shows little of the reunion event. The story is based around the lives of the characters' everyday lives. The casting is terrific--the acting is superb--especially Natalie Portman. The screenplay is fantastic--the dialogue is witty, natural, realistic and interesting. No cliches in the dialogues. This is a movie I could watch repeatedly and still find it amusing because the screenplay is so good.