[.ca] The Lullaby of..

From Amazon.co.uk:
In 1932 with 42nd Street and its pricelessly kitsch, kaleidoscopic dance routines, Busby Berkeley reinvented a genre that following the advent of sound had grown stale all too quickly. But as dazzling as these sequences are on screen, much of their lasting appeal lies in the captivating songs that inspired them. Though neither Harry Warren or Al Dubin would become household names like Porter, Rodgers or Berlin their many standards live on as a much-loved part of our musical heritage. This exquisite two-disc set is therefore as much of a celebration of their song-writing skills as it is of Berkeley's choreography. So sit back and wallow in such impeccably melodic numbers as "I only have eyes for you", "42nd Street", "Lullaby of Broadway", "Dames", "The shadow waltz", "Shuffle off to Buffalo" and "Remember my forgotten man", many of which are presented in their extravagant entirety for the first time. Besides including several songs by other writers, most notably "Hooray for Hollywood" and "By a waterfall", this lavishly documented set is also a tribute to Warner Bros's veteran music director Ray Heindorf, whose agile, expansive arrangements skilfully maintain interest in each song throughout a succession of reprises that often last for over 10 minutes! --Robert Seeley

Quintessential 30s Pop Music:
For those Busby buffs who have seen his 30s Warner films and have become infatuated with those luscious Warren-Dubin medlodies, this double CD set is an essential. The selections include not just the vocals, but the entire numbers, complete with dance and pageantry sequences. Unforgettable numbers, such as "I Only Have Eyes For You," "Lullabye of Broadway," "Young and Healthy," and "Forty-Second Street" not only generate charming waves of nostalgia, but the entire collection is a fine popular culture representation of the Depression-era musical comedy film. Powell sounds radiant as ever, though most of the female vocalists (i.e., Blondell, Keeler, and Rogers) generally pale in comparison. However, Keeler's lower register in "By a Waterfall" showcases her genuine vocal talents. Fortunately there's Etta Motten's rich mezzo featured on "Remember My Forgotten Man" and Winifred Shaw's solo in "Lullabye of Broadway." Regretably though, this collection omits Bebe Daniels' addictive "You're Getting To Be a Habit With Me" from *Forty-Second Street" and the racy ensemble,"Pettin' In the Park" from *Gold Diggers of 1933*. But a star-studded "Horray For Hollywoood" with Benny Goodman, Frances Langford, and Gene Krupa completes this collection in grand style.

Classic Hollywood musicals!:
If you haven't seen the musicals these recordings come from, the songs may seem a bit thin, or overlong. But if you have an appreciation of the lavish nuttiness of Berkeley's best work, then these tunes may conjure delightful images of Dick Powell and all them leggy dames, and the crazy kaleidoscopic dance routines that made these films so fab. This 2-CD set includes material from "42nd Street," "Gold Diggers of 1933," "Footlight Parade," "Wonder Bar," "Fashions of 1934," "Dames," "Gold Diggers of 1935," "In Caliente," "Gold Diggers of 1937," and "Hollywood Hotel." Harry Warren's scores are often frivolous and dingbatty, which is part of what made them so much fun in conjunction with the spectacles on screen. They also work fine on their own, at least to a certain degree. For fans, this collection is a must.

Busby and the Kings of Melody:
Dick Powell sings in Dames, 'Who writes the words and music for all the girlie shows? No one cares, and no one knows.' Fortunately with this wonderful soundtrack set we'll always know. For me these Warner Brothers movies exist for the Busby Berkeley sequences and the gorgeous melodies. The twenty tracks, from ten movies, have something for everyone, my favorites are By a Waterfall from 'Footlight Parade' (1933) Spin a Little Web of Dreams from 'Fashions of 1934' and Dames from the 1934 movie of the same name. The lovely melodies by Harry Warren and Sammy Fain just stay with you. These two had to solve some interesting problems with the dance sequences as they lasted for some minutes but the arrangements were quite short, solved by repeat the theme over and over but with subtly changing orchestration. The melody of By a Waterfall is repeated twelve times during the water sequence but you don't notice while watching it. As this is soundtrack material, recorded in the Thirties, I found the quality surprisingly good and the forty-four page booklet with CDs is full of information. If you want to know more try and find a copy of 'The Busby Berkeley Book' by Tony Thomas and Jim Terry, published in 1973, the complete story in words and (lots of) pictures.

Busby and the Kings of Melody:
Dick Powell sings in Dames, 'Who writes the words and music for all the girlie shows? No one cares, and no one knows.' Fortunately with this wonderful soundtrack set we'll always know. For me these Warner Bros movies exist for the Busby Berkeley sequences and the gorgeous melodies. The twenty tracks, from ten movies, have something for everyone, my favorites are, By a Waterfall from 'Footlight Parade' (1933) Spin a Little Web of Dreams from 'Fashions of 1934' and Dames from the 1934 movie of the same name. The lovely melodies by Harry Warren and Sammy Fain just stay with you. These two had to solve some interesting problems with the dance sequences as they lasted for some minutes but the arrangements were quite short, solved by repeating the theme over and over but with subtly changing orchestration. The melody of By a Waterfall is repeated twelve times during the water sequence but you don't notice while watching it. An interesting track is We're in the money from 'Gold Diggers of 1933' where Ginger Rogers sings the song and then sings it again in Pig Latin, this was a novelty language of the Thirties. For the curious, this involves taking the first letter of a word and placing it at the end and then adding the letters AY. Confused? Yes, so am I but you can find out more by putting the term into any search engine. As this is soundtrack material, recorded in the Thirties, I found the quality surprisingly good and the forty-four page booklet with the CDs is full of information. If you want to know more try and find a copy of 'The Busby Berkeley Book' by Tony Thomas and Jim Terry, published in 1973, the complete story in words and (lots of) pictures.

A wonderful souvenir:
There has never been anything quite like the delicious musicals that Warner Bros. served up during the 1930s. To begin with, they served to take folks' minds off the Great Depression, and in themselves they are wonderful works of art. They are still loads of fun, and this two-disc set serves as a fitting reminder of the heights that the American movie musical once achieved. The focal point of the pieces on here is that most of them originally received elaborate stagings by that master of dance direction, Busby Berkeley. Within the context of the films, most of them were intended as stage pieces, although there was no stage on earth capable of presenting these pieces. And the stagings are more than just emptyheaded presentations on which the melodies can hang: we are confronted with the suffering of war veterans in "Remember My Forgotten Man," violence in "42nd Street" and sudden death in "Lullaby of Broadway." Without the visuals, however, the one who really emerges as the star of these selections is Harry Warren, who wrote all but 4 of the 20 songs here. Warren consistently wrote songs as appealing as those of George Gershwin but, unlike Gershwin, his name is pretty much forgotten nowadays. Thanks to the attractiveness of the tunes themselves and the inventiveness of the orchestrations, the brief melodies are as fresh on their twentieth repetition as they are on their first. Among the many vocalists, the most constant is baby-faced Dick Powell who achieved stardom through these vehicles. But there are many other enjoyable singers on these discs as well. James Cagney is effective as only he could be in "Shanghai Lil," and Clarence Nordstrum brings a pleasant baritone and a quick vibrato to "Shuffle Off to Buffalo." On the other hand, Ruby Keeler's charms lie more in what she attempts than what she actually achieves (one of the other characters in 42nd Street tells Warner Baxter straight out that she is not a very good singer). Likewise, Joan Blondell is not a very accomplished vocalist although she is very effective, for example, in the spoken section of "Remember My Forgotten Man." But this is not to denigrate the participation of these wonderful performers; in large part, they make the films in which they appear. And the distaff side is well represented by the enjoyable singing of Ginger Rogers, Wini Shaw and Etta Moten. The presentation of these discs is near impeccable. I still find myself wishing, as I do with Fantasia, that they could update the sound, but the ear adjusts quickly and the discs are still much more than listenable. We have here for the first time anywhere Ginger Rogers' outtake of "I've Got to Sing a Torch Song" from Gold Diggers of 1933 (the song is alluded to in the opening moments of that film). We also get to hear Benny Goodman sing in a part of "Hooray for Hollywood" from Hollywood Hotel that was left on the cutting room floor. On the minus side, the producers chose to omit a bit of "Remember My Forgotten Man" because of the distortion in that section caused by the action onscreen. The cut is well disguised but still noticeable to those familiar with the piece, plus it detracts from the musical sense of the piece. I would have preferred to see the section left in, distortion or no. Finally, I wish they could have found a way to include "Pettin' in the Park" from Gold Diggers of 1933, my top favorite of all these production numbers. The accompanying booklet could not be better. There are tributes to Busby Berkeley and Harry Warren, notes on each of the films and special comments on the musical numbers included, with lots of interesting minutiae, such as how Al Jolson made fun of his wife Ruby Keeler behind her back (the comments on the tastelessness of his "Goin' to Heaven on a Mule" pale before this revelation) and how Busby Berkeley carefully photographed "The Girl at the Ironing Board" from Dames to hide Joan Blondell's pregnancy. Plus there is a complete listing of Busby Berkeley's films. Finally, the booklet and the CD case itself are liberally laced with stills from these films. Still, what brings me back to these discs time and time again are the delightfulness of the musical numbers and the enthusiastic performances they receive from everyone involved. Not all the films represented here have been available on video, so in the case of those that are not, I at least have these tantalizing moments to give me something to live for until they are. Highly recommended as a souvenir for those who have seen the films and as an introduction to a great era in American film history for those who have not.

• Young and Healthy - Dick Powell, Toby Wing
• Shuffle off to Buffalo - Ruby Keeler, Una Merkel, Clarence Nordstrum, Ginger Rogers
• 42nd Street - Ruby Keeler, Dick Powell
• We're in the Money (The Gold Diggers Song) - Ginger Rogers
• I've Got to Sing a Torch Song \oOuttake\c - Ginger Rogers
• Shadow Waltz - Ruby Keeler, Dick Powell
• Remember My Forgotten Man - Etta Moten
• Honeymoon Hotel - Ruby Keeler, Dick Powell
• By a Waterfall - Ruby Keeler, Dick Powell
• Shanghai Lil - James Cagney, Ruby Keeler
• Don't Say Goodnight - Dick Powell
• Spin a Little Web of Dreams - Verree Teasdale
• Girl at the Ironing Board - Joan Blondell
• I Only Have Eyes for You - Ruby Keeler, Dick Powell
• Dames - Dick Powell
• Words Are in My Heart - Dick Powell
• Lullaby of Broadway - Dick Powell, Winifred Shaw
• Lady in Red - Judy Canova, Winifred Shaw
• All's Fair in Love and War - Joan Blondell, Dick Powell
• Hooray for Hollywood \oExtended Version\c - Johnny Scat Davis, Benny Goodman & His Orchestra, Gene Krupa, Frances Langford, Dick Powell