[.ca] Charm Of The Night Sky

From Amazon.com:
Trumpeter Dave Douglas works at a tireless pace, releasing a steady stream of excellent solo albums, contributing to John Zorn's Masada, and appearing as a featured soloist on scores of diverse projects. On Charms of the Night Sky, Douglas steps back for an album of restful meditations on the waltzes, polkas, klezmer, and café music of Europe. Playing without a drummer, Douglas leans his breathy horn against the solid foundation of bassist Greg Cohen and trades austere lines with Mark Feldman's violin while the accordion (!) of Guy Klucevsek sets the mood. These beautiful songs, duets, and tone poems are elegantly paced and played with an understated authority that is wistful, romantic, and full of grace. Packaged and recorded with Winter & Winter's unrivaled sophistication and attention to detail, Charms of the Night Sky is one of Dave Douglas's finest moments. --S. Duda

Chronique amazon.fr:
Une sonorité étrange, envoûtante, avec des prolongations aigres et aiguës, des accents de Kenny Wheeler : voici Dave Douglas, trompettiste inspiré par des romances incongrues, accompagné ici par une rythmique peu usitée (accordéon, violon, basse). La découverte des sons se fait à chaque note, posée, accrochée, enlevée, envolée. Ce disque a le charme d'un long discours construit de très belles phrases. Il y a du cirque et des roulottes d'Europe centrale dans l'inspiration de Dave Douglas, une histoire de saltimbanque triste et amoureux, un vagabondage de sons nocturnes dans lesquels on perçoit des accents de Nino Rota. --Jean-Michel Schlosser

Totally Sublime ....:
Imagine yourself sitting in a bistro on the Champs Elysees, sipping a nice glass of bordeux as your glance pulls you toward an alluring .... You get the picture. Now buy the CD and thank me later! Highly recommended from someone who thought they heard it all! Bravo Senor Douglas!

OK, I admit it. . . .:
I originally chose this CD as my intro to Dave Douglas' solo work because the Winter & Winter packaging is so cool. . . . I overlooked the fact that he would be playing with just bass, violin, and accordion (yes, accordion) and went with CHARMS OF THE NIGHT SKY. Man, what a good call! This CD is all that it possibly could be, and Douglas makes it even more. Great arranging turns some very intriguing melodies into very intriguing and beautiful songs. As I have since discovered, this is pretty mellow stuff for Douglas, but he brings a passion and energy to this seemingly laid-back disc that few, if any, others could do. Tracks 2 & 3, "Bal Masque" and "Sea Change," would probably be my two favorites (I love him jumping the octave in "Sea Change"), but I don't skip over anything. I have seen Douglas play in concert with John Zorn's Masada, and he is just physically and sonically impressive in that setting. What is really cool is that he is equally impressive in a bit more subdued setting such as this. Cohen, Feldman, and Klucevsek should not be overlooked, either, as their support is integral throughout the CD. A beautifully constructed collection, this is worthy to be on the shelf of really special discs that one goes to for a breath of fresh air, a moment just to clear one's head, and/or a deep breath at the end of a busy day. Douglas will reward you, and you'll come away quiet, refreshed, and invigorated. At least I do. . . .

Music without Borders:
This album is one of the finest fruits of a move in the 1990s among avantgardists like John Zorn towards an eclectic but accessible chamber-jazz. (Other instances would be Zorn's Bar Kokhba & Bill Frisell's _Quartet_ album.) Douglas has rightly moved from obscurity to the first rank of jazz musicians in the 1990s, gaining widespread exposure from Zorn's Masada, & waxing a seeming flood of discs with a variety of bands--an acoustic, string-based quintet; the trumpet/guitar/drums ensemble the Tiny Bell Trio; the larger, more conventional jazz ensemble that recorded tributes to Booker Little, Mary Lou Williams & Wayne Shorter; & many other projects. _Charms of the Night Sky_ announced a new project, which is centred on the duo of Douglas & the remarkable accordionist Guy Klucevsek, who is one of the few North American players who can stand with Europeans like Richard Gilliano or the bandoneon master Dino Saluzzi. Half of this CD is duets of these two players; on other tracks they are joined by the ubiquitous, omnicompetent violinist Mark Feldman (whose c.v. includes everything from country fiddling to work with orchestras) & Greg Cohen (who splits his time between old-fashioned jazz with players like Marty Grosz & Woody Allen, & playing with Masada). This is a strikingly lovely disc, & even skeptics about accordion are urged to give it a try. Douglas is as always very careful & specific about the inspirations for his music: this disc has a dedication to Charlie Haden, "Dance in Thy Soul" (which is, unexpectedly, a violin feature--after a free-tempo introduction, this settles into perhaps the most exciting & insistently rhythmic piece on the disc, which ends with a simultaneous trumpet/violin improvisation which dissolves into delicate high-pitched tones). There are two covers, Francesco Cilea's "Poveri Fiori" & Herbie Hancock's "Little One"--not simply a great cover (which it is) but an indication of a key source for the kind of subtle & impressionistic jazz on this disc. This is an album at once innovative & immediately listenable. Highly recommended. I should add that those who enjoy it should check out Tomasz Stanko's _From the Green Hill_, a disc which employs a similar lineup (trumpet, violin, bandoneon & bass, though it's augmented by drums & saxophone); the Polish trumpeter Stanko can often sound like a wilder, more unfettered Dave Douglas.

A jazz listener from Algarve:
If you think acordeon is not your kind of instrument in jazz listen to this CD and I'm sure you will change your mind. My wife hates it, but if you spare a bit time to listen to this a couple of times you will know what I mean. Track nr.2 Bal Masqué and track nr. 4 is excellent music for Kusturica's next film...

A Great Record:
This is maybe my favorite Dave Douglas recording (could change next week since they are all so good). As the title seems to suggest, I tend to play this one at night after my toddler has gone to bed. It is both stimulating and relaxing. Most of the songs have a slow to medium tempo and are performed in a somewhat relaxed manner. The instrumental combination and their arrangements are wonderful. Somehow, this music allows me to re-engage my mind while calming my body. As much as I love this, my wife hates it. If accordian and trumpet isn't your thing, perhaps you better stay away. But if your seeking a subtle yet rich tonal experience, this it it!

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