[.ca] Sym

my point of view:
Ignore any complaints about tape hiss in the analogue re-issue. Anyone who complains about it is like you complain about the black bar on widescreen DVD transfer and prefer inferior "pan and scan" version. You should know that you gain more when you can listen to the tape hiss in analogue recordings because it shows they pass the signal purely without artificial processed (ie. digital noise reduction). The latest digital noise reduction that used in most reissue red book CD (16 bit/44.1 khz) claimed it removes hiss without effecting the sound, but in practical way, it effects the sound a great deal. often, the sound becomes dryer and striden. Do you want it that way? so what's the concept of high end audio then?

Warm, flexible, Songful Brahms from famous Bruno Walter:
This performance has been a staple of the recorded Brahms repertoire, since it first appeared in vinyl. Now, having been reincarnated again and again, it has finally reached SACD disc in a new transfer that lets its special magic into your very own listening room once more, removing yet another sonic veil that you hadn't before realized was scrimmed between you and the music. First, one must admit that the huge sonic purpose of this SACD transfer is that you can appreciate what the conductor and orchestra are doing in this symphony. Uniquely, Bruno Walter offers us an example of an almost lost art, with his flexible tempos. While other conductors slow down or speed up in exaggerated and will-o-the-wisply inspired readings; Bruno Walter tempos are inexorably wedded to the underlying harmonic structures of the symphony and its musical argument or narrative. Neither do Walter and the orchestra slight those soaring melodies, whether sung out fully on strings or on woodwinds or both. Hearing all this again, you realize how indebted Bruno Walter must have been to the Great Forebear, Furtwangler. Who can fail to be grateful that Bruno achieved his own special autumnal glory in this most tightly organized work? It is a performance by a conductor who has loved the music over many decades, earned his heartfelt emotional chops, and managed to illuminate the high intelligence that Johannes Brahms had as a man and as a composer. Supposedly, Arturo Toscanini once dismissed Bruno Walter's interpretive genius by saying, something like: "Oh, Walter. Well, when he hits somethings nice, he just melts." Clearly, on the evidence of this cherished recording, the charges are false or mistaken, indeed. Bruno Walter and the orchestra show us inner fire, and inner strength. Even if SACD has hardly yet begun to make hifi news with its multichannel capabilities, this stereo disc will remain a treasure, no matter how many channels the newer recorded performances get. The surprise is not that this master tape finally made it to SACD. No, rather we must ask: where are the other three symphonies that Bruno Walter recorded, for the same label, with the same forces, in the same recorded era? Considering the fact that the master tape has paid for itself, tenfold and more, it is absolutely shameless of Sony not to have made the other symphonies equally available. They say the slick international corporations who are the owners of these recorded archives don't ever listen to classical music any more; but just regard their holdings as property, as if all those master tapes were simply warehouses full of refrigerators, instead of almost priceless cultural and musical insight into the human condition. Well, don't be that way. Get this SACD, returning to a day when both conductor and orchestra deeply believed that Brahms' fourth symphony meant something quite grand and quite alive, breathing the dramas and calms of all the large existential themes we demean when we classify music as "entertainment." Since these people were True Believers, hearing them again can help us understand a bit better, how and what and why they thought making music like this was a way of life and a higher calling. Highly recommended. There are too many stars on show here to actually count.

Good transfer to SACD:
This has long been a favorite among both music lovers and audio enthusiasts - a classic performance handsomely captured by Columbia's West Coast engineers in the early days of stereo recording. The SACD transfer is smooth and well-detailed, the sound stage broad but a bit lacking in depth perhaps. Recommended.

Beautiful in every way.................:
This recording of Walter's last Brahms cycle is really something to remember him by, he was born to conduct Brahms 4th Symphony. Ok I'm a little biased because I love Walter's method of bringing out the colours of this great symphony, never-the-less this is a very good account of Brahms's shall we say masterpiece. The sound is really good, clear and Walter at his best, however, I might as well warn you that this recording does have a certain amount of hissing in the background which at certain times specially in the second slow movement becomes quite irritating, but don't let this dissuade you form this fantastic piece, this recording is second to none accept Carlos and Sanderling.

Another Walter classic beautifully restored:
Much like the other Bruno Walter reissues in this series, the DSD transfer faithfully records the musical information in the master tapes and presents it with a clarity, immediacy, and warmth unmatched in any previous transfer. The minor tape hiss is nugatory and is a price well worth paying for hearing every bit of information on the original recording. Like the Mozart, Beethoven, and Schubert recordings in this series, this is a classic Bruno Walter recording -- enough said.