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Additional Features: Like the movie itself, there's little in the supplementary materials for The Patriot that requires more than one viewing, but they're interesting while they last. "The Art of War" featurette purports to be a study of the film's elaborate battle logistics, but it offers only a cursory appreciation of sequence planning and stunt work. The "True Patriots" featurette is much better, examining the painstaking efforts toward authenticity in production design, artillery, and costuming. The visual effects featurette offers a study of several pivotal shots, displayed in triptych fashion (to show how effects are layered together from separate elements) and narrated by visual effects supervisor Stuart Robertson. Generous photo galleries are included, featuring shots of the primary cast, sets, and costumes (the last matched by a gallery of conceptual drawings), and the feature-length commentary by director Roland Emmerich and producer Dean Devlin is worthwhile, if not altogether essential. --Jeff Shannon
Braveheart in the new world: It seemed for a time that Mel Gibson thought that the one thing that makes a new picture better than his last picture is a higher body count. Rack up an astonishing 182 dead bodies in 'The Patriot'. This includes death by all manner of devices 'civilised' and otherwise, including a beheading by cannonfire. Did such things happen? Indeed. Do such things continue to happen around the world? Well, there are fewer tomahawk axings (save at the occasional baseball game) but, yes, alas, we still live in a violent world. Does a movie like 'The Patriot' gorify, er, I mean, glorify it too much? I thought this was a reasonably good movie. I could have done without the more than 1-dead-body-per-minute body count, but I thought this was an interesting tale. --Double standards in movies-- One thing that irritates me, if you will permit me a brief digression, is that this epic film competed in epic terms, with the earlier summer release Gladiator. One criticism of Gladiator I heard over and over was that it was not true to the history of the time. I did not hear that criticism levelled at The Patriot, which is just as fictional while being based in a real-world scenario. Of course, another parallel with Gladiator that I couldn't help but notice is that of a major villain (the emperor Commodus in G, and the despicable Tavington (played admirably by Jason Isaacs) here) taunting our hero to try to make him lose his cool, only to be rebuffed and get his come-uppance later. Ah, formulas aren't just for the chemistry lab... --Basic Plot-- Mel Gibson turns in his usual good performance as Benjamin Martin (how colonial a name is that?), a widowed single father of a large brood of children, who had had enough of war in the French and Indian War (perhaps America's most forgotten war), reluctantly goes along with his idealistic son as he determines the best way to preserve his family (his personal definition of and attachment to liberty) is to drive the British out. There is a dark secret in Martin's past (which I won't reveal here). Alas, I didn't think it was THAT dark, but then, in colonial times, well... Of course, the British (in this film, and in real life) had no reason to think that they could ever lose this war (the loss of the colonies is perhaps best likened to America's failure in Vietnam -- how can a superpower, and Britain the strongest superpower of the time, lose a war against underequipped, ill-trained, poorly disciplined... well, you get the drift). The battlefield drama, the struggle to decide what is right and wrong, the fight with the inner demons and the past, make this an interesting psychological drama despite the pile of dead bodies in the background. --Production notes-- The costs were staggering, but this held all the elements for a summer blockbuster -- star power, compelling theme (ID 4 also grabbed the July holiday slot, and did well, and shares many of the same people in production with The Patriot). Many have described this as the American Braveheart -- I wonder, if Gibson were not in, if that would be true? Gibson claims not to have given much advice to the filmmakers of 'The Patriot', whereas he was in charge of Braveheart. If the battlefield scenes look similar, that is because battlefield scenes do look similar, over time (and across films). --Historical notes-- This movie shows in stark terms some of the conditions and costs of the American Revolution/War with the Colonies. It is perhaps one of the more regrettable wars in human history, much more akin to the American Civil War a century later, as it pitted relatives and friends against each other. Could there have been a better way? Alas, we'll never know.
astounding in every way(be warned though,it is brutally violent and bloody) 5+++/5: i thought this movie was absolutely brilliant.it's set during the time of the American revolution.Benjamin Martin(Mel Gibson)is a simple farmer who does not want to get involved,as he doesn't believe in war.in short,he's a pacifist.but due to factors beyond his control,he does join the war effort.Martin transforms from the meek man he was, to a man on a mission:to destroy the British Army.there's lot of great names here,and i won't mention them all.but i will mention Jason Issacs,brilliant as a sadistic British Colonel and Chris Cooper as an American Colonel.i mention Cooper because you are guaranteed to see great acting from him.this movie is quite bloody and brutally violent.there are no punches pulled here.if you have a weak stomach shy away from this one.otherwise,for a war themed movie,i highly recommend it.one of the greatest movies i have ever seen.5+++/5
STIRRING AND MOVING: Once again, people crave for authenticity...the way it really happened....and once again, I say, "It's a movie. It's entertaining and moving....I didn't take my history book along to make sure it was totally accurate. I like escapism, and movies that move me." This movie did that. It's beautifully filmed by the respected Caleb Deschanel; the music by John Williams is moving, and the cast on a whole is exceptional. Mel Gibson has been labeled an okay actor, but if you look deep inside his performances, the man does his best in filling whatever shoes his role dictates. As the family-oriented and somewhat stubborn father, he evokes the pain he feels from his actions in an earlier battle with the French; he seems devastated by his youngest daughter's silence to him; and he loves his family. Joely Richardson is effectively cast as Mel's sister in law, who helps take care of his family during this crisis. Heath Ledger is all gungho and spirited as Gabriel, and plays well with the rest of his cast. Tom Wilkinson is superb as Cornwallis, a man steeped in tradition and British fanfare. His scene with Gibson in which the patriot negotiates for the release of his 18 prisoners is exceptional. Jason Isaacs is pure evil in his role as the heartless Haverton (or whatever), and shows that war to him is merely licensed murder. The rest of the supporting cast: Chris Cooper, Rene Auberjonois, Adam Baldwin, Gregory Smith, Mira Boorkem, and Donal Logue, in particular, are great additions. The movie is a manipulative film, of course...how else would it work, but it's to director Roland Emmerich's credit, that when the credits were over, I felt moved and touched. That's what films are meant to be in my opinion.
Complete and Utter Waste of Time: I am genuinely surprised at this movie's good rating! 1)The historical innaccuracy is horrible 2)It is a movie that glorifies the WRONG things about the American Revolution 3)The love story is nauseating 4)The characters are weak and underdeveloped. Mel Gibson is an ok (Just OK) actor. Most of the others are too, with some really really bad ones thrown in- just for kicks! 5)People say it was entertaining- really? I was writhing through the entire thing. Oh, and the war scenes really aren't that gruesome... maybe its because I saw Kill Bill a month ago? I wish I didn't waste my time with this movie! Please, please watch something else! There are so many better (historical or otherwise) movies!
An American Patriot: The 2000 summer film, "The Patriot" which I believe was in theatres appropiately on the 4th of July, stars Mel Gibson in the heroic role of Benjamin Martin, a father fighting for his family and his colony from the British enemy forces of General Cornwallis (played by Tom Wilkinson). The movie was directed by Roland Emmerich, the director of Independence Day, which, though science fiction blockbuster epic that it was, still maintained the 4th of July American patriotism theme much like this movie. Being entirely different from his usual blockbusters (Godzilla, Day After Tomorrow most recently) Emmerich immerses us into the historical period of early America in the 1770's, when the budding, newfound country was at war with Great Britain. The American Revolution was the first real war in America. The country was earning its independence and fighting for it in the most literal sense. Althoug the movie keeps its period piece/costume drama visuals, in the dialogue you can find traces of modernism. For example, in one scene, Mel Gibson sits with his wife and asks "Can I sit here ?" and she replies in comedy tone "Hey it's a free country.. or that is it will be". Much of Mel Gibson's own influence is in this movie. He did not direct this movie although he could have easily done so. The fighting scenes, the battles, the gunfights and the violence is very Mel Gibson in nature (he is after all responsible for such films as Braveheart). The portrayal of the British is of course biased since it's on the American side we're sympathezing with. Cornwallis is a man we love to hate-rude, arrogant and cruel. The other British in the film are also portrayed as very nasty. The message of patriotism, love of family and home is all quite strong here. But it does make a good film if you're into this period, if you want to see Mel Gibson doing a historic piece and as the hero which he always does so well in. Mel Gibson, though much older now, is still a great actor and provides much romantic/sex appeal. On DVD, the movie is loaded with extra features including commentary and "Making Of" segment.
| Actor: | Mel Gibson | | Actor: | Heath Ledger | | Actor: | Joely Richardson | | Actor: | Jason Isaacs | | Actor: | Chris Cooper | | Aspect Ratio: | 2.35:1 | | Audience Rating: | R (Restricted) | | Binding: | DVD | | Director: | Roland Emmerich | | D V D Layers: | 2 | | D V D Sides: | 1 | | EAN: | 9780767858465 | | Format: | NTSC | | Format: | Special Edition | | Format: | Widescreen | | ISBN: | 0767858468 | | MPN: | 043396057319 | | Picture Format: | Anamorphic Widescreen | | Region Code: | 1 | | Release Date: | 2001-11-29 | | Theatrical Release Date: | 2000-06-28 | | UPC: | 043396057319 |
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