[.ca] For Pete's Sake (Widescreen/Full Screen)

From Amazon.com:
Barbra Streisand returned to amped-up comedy form (following her work in Herbert Ross's sharp, unsentimental The Owl and the Pussycat and Peter Bogdanovich's screwball homage, What's Up, Doc?) in this nutty 1974 feature by Peter Yates (Bullitt, Breaking Away). Playing a Brooklyn housewife so dedicated to her cabdriver husband (Michael Sarrazin) she'll do anything to help him get ahead, Streisand's character--with the impossible name of Henry--secretly borrows three thousand dollars from a loan shark so hubby can play the stock market. When an expected windfall doesn't happen, Henry becomes frantically inventive trying to raise the money to pay the shark back. Originally called July Pork Bellies (a reference to commodities futures that makes sense in the context of this story), For Pete's Sake doesn't really measure up to the aforementioned Streisand comedies, but there are certainly solid moments and individual performances to single out for praise. (Among the latter is wonderful character work by Molly Picon, Estelle Parsons, and William Redfield.) Director Yates, as has often been the case, didn't quite get his head around this sort of broad material; as comedy goes, he has proven more adept with sweeter, droller films such as Breaking Away. Despite all that, true Streisand fans will not let this get away without a look. --Tom Keogh

Great:
This is a very funny movie! If you loved "What's Up Doc" you'll love this!

For God's Sake!:
Okay, what were the film folks thinking with regard to this picture? The commentary by the film's director was fun; the film in two formats was nice; but after almost 20 years, there is nothing new to this piece. The only upside is being able to burn on your personal CD player the opening title song, "For Pete's Sake" sung by Streisand. Where is the creative genius' behind these releases?

Barbara chewing scenery:
This is not one of my favorite Barbara films. It's ok to watch on a dreqary Sunday afternoon. I'd much rather watch "What's Up, Doc?" or "Funny Girl" the latter of which has finally made it onto DVD. This little film is basically about the bonds of marrriage and how love overcomes everything, including prostitution, larceny, goodfellas, porkbellies, stocks, snotty family members and Molly Picon! Barbara plays Henry, whose husband Pete drives a cab by day and plays the stock market putting their savings into porkbellies. The stocks go belly up and Babrba is determined not to let Petes dreams join them. So, she goes from one silly plotline to another to try and get him the money, all the while putting them further in debt. Until the end when the porkbelly stock finally brings them their dreams. AA sweet comedy with Barbra acting her face off trying her best to make the most of it. I truly hate her short hair in this movie, it distracts me. I hope that "What's Up, Doc?" and "On a Clear Day" get a great DVD treatment. Enjoy!

Aptly Titled:
Avoid at all costs. Streisand at her most obnoxious, weaker material than a Nick-At-Nite "Facts Of Life" marathon. Wear a life preserver if you have to sit through it because it starts sinking right away.

"Don't let him down.":
In retrospect, it isn't hard to understand why Barbra chose to make this limp, embarrassingly unfunny farce. The arty UP THE SANDBOX had just flopped and the future prospects of the just completed THE WAY WE WERE were unknown. Deciding that her reputation as a movie superstar couldn't take another project that was a commercial risk, she agreed to star in FOR PETE'S SAKE, a woefully misguided attempt at modern screwball comedy. Basically, everything that WHAT'S UP, DOC? succeeded at brilliantly, FOR PETE'S SAKE fails at miserably. Not only are the characters annoying and the puns infantile, but FOR PETE'S SAKE commits the biggest crime known to comedy: it just ain't funny. Throughout all of the typical comedic mix-ups and chases, the viewer will find his or herself moaning rather than laughing. Barbra tries her best to pump the film up with her undeniable comic gifts, but there's no inspiration in this sitcom-level script, so even her earnest portrayal gets lost amid the murk. Michael Sarrazin fares even worse due to his badly underwritten character, and he has no chemistry with Streisand. Unfortunately, the rest of the cast doesn't fare much better. True, veteran comedic actress Molly Picon has a few amusing bits as Ms. Cherry, but none of the other supporting players are able to break out of their one-note characters. However, when a screenplay is this labored and unfunny, you can't really blame any of the actors - they obviously did the best with what they were given. It's certain that Barbra wouldn't have made this film had she known that THE WAY WE WERE was going to be a blockbuster hit, however that is not a good enough reason to excuse the poor execution behind this picture. There are fans who like to say that the contrived box office hit THE MAIN EVENT or the off-beat box office flop ALL NIGHT LONG are Barbra's weakest films, but I must strongly disagree. THE MAIN EVENT may have been tired and predictable, but at least it was funny overall, and Streisand did had chemistry with her leading man in that one. And though ALL NIGHT LONG may have not been a perfect film (the film's soggy mid-section is it's biggest flaw), but it had a charmingly odd-ball perspective that made the movie seem bizarrely endearing. FOR PETE'S SAKE has none of the things that make THE MAIN EVENT or ALL NIGHT LONG entertaining. It just stumbles on to the finale, getting progressively worse as it goes. While FOR PETE'S SAKE was actually a box office hit in it's day, in the end it no doubt had a more damaging effect on Barbra's career. It did nothing but provide fodder for the people who never liked her to begin with. About the DVD: The picture quality is great, much better that I expected, and the sound is also fine. Yates' commentary track isn't very interesting (and has some long silences), but it's still a nice addition.