[.ca] Yours to Keep

From Amazon.com:
If it took a solo album for Strokes guitarist Albert Hammond Jr. to make sure his songs were finally heard, file this one under "their loss" for those egocentric East Siders. The first in the group to make his own record, Hammond (son of the triumphant '70s singer and composer) comes up big, hammering out 10 songs brimming with beatific melodies ("Call an Ambulance"), sugary harmonies ("Scared"), and the same rampant guitar ("In Transit") that he wields with the big band. Though he recruits prominent pals Sean Lennon and Ben Kweller for the ride, it's unnecessary, as Hammond's voice--both capable and charmingly unkempt--is a step above the monotonous murmur of Strokes singer Julian Casablancas (who also appears). Hammond's far-reaching influences drift from AM pop to punk rock, but the mop-topped musician mostly keeps it close to the vest, blending shades of the Beach Boys ("Cartoon Music for Superheroes," complete with toy piano), John Lennon ("Blue Skies"), and the Pixies ("Back to the 101"). Now he just has to make sure his band gets a copy of the record. --Scott Holter

Free from the world:
Albert Hammond Jr. is best known as the lead and bass guitarist for the Strokes. But don't let that influence your expectations for his solo debut "Yours To Keep." On his own, Hammond turns out a totally different album: a shimmering, creative little pop collection that dips into lean rock'n'roll and vintage sunny pop. It starts on a note that's very Beach Boys -- sunny, psychedelic-edged, and slightly sleepy. "Goodnight, I said to you goodnight/Dream of all the impossible/And you wake you see/That all these dreams aren't fake/They're real/Not impossible," Hammond croons in a slightly sleepy voice. All that changes with "In Transit," the most Strokesian of all the songs -- a peppy, uptempo guitar number with slightly rebellious lyrics. But with "Bright Young Things," the style switches back to a circling guitar melody and a sunny musical edge, some folksy ballads, catchy rockers that bloom into peppy pop, toe-tapping acoustic plucks, and ringing songs about vacations in Jamaica. Despite the variety of styles, Hammond actually does a pretty good job keeping a signature "sound" in these songs -- something a bit happier and slightly wistful than the Strokes. It does have a bit of a split personality, between rock and sunny pop, but I suspect it's something that Hammond will iron out in future albums. The music has plenty of guitar -- both acoustic and bass -- both in lean sinewy riffs and in circling melodies. But Hammond and a variety of musicians (including Sean Lennon, Julian Casablancas, Ben Kweller, and Sammy James Jr) wrap the songs in a thin layer of other instruments -- tinkly melodica, ukelele, rippling keyboard, and some brass. There's even whistling at one point. Hammond's voice is kind of scratchy, but it's still pretty pleasant to the ear. And he throws a lot of passion into his singing, whether it's a murmury croon or a belt-out wail. "And you will only hold me/If I will never tell you it would end/And you will never have me/Cause you were only wanting to be friends/And you will always hold out till he gave out." "Yours To Keep" is a triumph for Hammond -- a solid, shimmering album that straddles between pop and rock. Definitely a good listen, but not for people seeking another Strokes album.

• Cartoon Music For Superheroes
• In Transit
• Everyone Gets A Star
• Bright Young Thing
• Blue Skies
• 101
• Call An Ambulance
• Scared
• Holiday
• Hard To Live In The City