Experimental British Television

DIVDIVDIVThroughout its history, British television has found a place, if only in its margins, for programs that consciously worked to expand the boundaries of television aesthetics. Even in the present climate of increased academic interest in television history, its experimental tradition has generally either been approached generically or been lost within the assumption that television is simply a mass medium.IExperimental British Television/Iuncovers the history of experimental television, bringing back forgotten programmers in addition to looking at relatively more privileged artists or program strands from fresh perspectives./DIV/DIV/DIVDIVDIVIntroduction: Experimental British television--Laura Mulvey * Creative in its own right: The Langham Group and the search for a new television drama--John Hill * And Now for Your Sunday Night Experimental Drama... Experimentation and armchair theatre--Helen Wheatley * A New Drama for Television?: diary of a young man--John Hill * The very new can only come from the very old: Ken Russell, national culture and the possibility of experimental television at the BBC in the 1960s--Kay Dickinson * From art to avant-garde? television, formalism and the arts documentary in 1960s Britain--Jamie Sexton * An experiment in television drama: John McGrath's The Adventures of Frank--Lez Cooke * Don't Fence Me In: The Singing Detective and the Synchronicity of Indeterminacy--Catrin Prys * Visions: a Channel 4 experiment 1982-5--John Ellis * Experimenting on air: UK artists' film on television--A.L. Rees * Experimental music television--J. Donnelly * Yes, it's War!: Chris Morris and the boundaries of comic acceptability--Brett Mills/DIV/DIVDIVDIVIntroduction: Experimental British television--Laura Mulvey * Creative in its own right: The Langham Group and the search for a new television drama--John Hill * And Now for Your Sunday Night Experimental Drama... Experimentation a