The Magic Kingdom: Walt Disney and the American Way of Life (ISBN 0395835879)

The Best Biography of Walt Disney Hands Down:
Easily the best biography out there on Walt Disney hands down. It will never be topped. It neither kisses his hiney as Bob Thomas' studio sanctioned biography does, nor does it discount him as merely a low brow populist (as Richard Schickel did), nor lies about him as some sort of communist spy in order to sell books. Not only is this biography even handed, but Mr. Watts makes brilliant connections between Walt and his time that no other biographer had the insight to do. This is a fair, balanced, well organized, incredibly entertaining biography that really brings the real Walt Disney to life. Steven Watts is a genius biographer.

Where's The Magic?:
If you want to take a trip down animated cartoon memory lane as well as look behind the scenes to find out how they were created, Watts' mistitled "The Magic Kingdom" is definitely NOT the book for you. For that trip I highly recommend Leonard Maltin's delightful and highly informative "Of Mice and Magic" (Revised and Updated edition). "The Magic Kingdom" is about Walt Disney the man and is of real interest only to those who are researching his life -- which I am not. So, I'll leave the critiquing of this book as a biography per se to those reviewers who have read similar books about him. However, when I was a child, I lived through many of the events that are mentioned in this book and watched many of the cartoons and the animated feature-length movies discussed by Watts, including those that were made before my time as reruns on television cartoon shows or in the movie theaters. Based solely on the material Watts presents in this book, you would think that Walt Disney Productions (Mickey Mouse, Donald Duck, et al) was the only company making animated cartoons during its Golden age of the late 1930s, 1940s, and 1950s. The only other animated cartoon studio that Watts mentions anywhere is Terrytoons -- and even then merely as a company that some of his employees came from or went to and nothing about the creations that came from it. And what about the equally creative Loney Tunes (Bugs Bunny, Porky Pig, et al)? Not a word. Not a single word! As to what Disney did, I find Watts' presentation quite frustrating. As a small child, I remember the craze for Davy Crocket paraphernalia. But that was AFTER I saw the premiere of the revolutionary weekly television program "Disneyland" that changed the eating habits of so many families back then. Watts presents the section about Fess Parker as Davy Crocket and all the sales of coonskin caps, etc. it led to BEFORE he discusses the original broadcast of the "Disneyland" that launched it. But Watts' greatest failure is his total lack of illustrations. Cartoons are VISUAL! How can you explain the birth and evolution of Mickey Mouse or the creation of the feature-length "Snow White and The Seven Dwarfs" WITHOUT illustrations? And not merely those of the finished product, but also the many sketches, etc. that led to its creation. Animated cartoon are essentially a series of (until very recently) mostly hand-drawn illustrations. What makes Maltin's "Of Mice and Magic" so delightfully informative is he does not merely give a dry, textual, explanation of the storyboard for a particular cartoon, but also shows the actual illustrations on that storyboard with the written comments of the directors, writers, etc. about certain characters. This book does give much information about Walt Disney that books such as "Of Mice and Magic" do not; for example, his development of Disneyland in Anaheim, and the already mentioned "Disneyland" television program which was not an animated cartoon. But with the very confusing presentation of his facts and total lack of illustrations, this book is a long, tiring, and frustrating read for the amount of information in it. Alas, Watts might give us some of Disney's kingdom, but absolutely none of his magic. .

Walt Disney would have approved it!:
I have read 4 biographies about this man ("An American Original," "The Disney Version," Mosley's "Disney's World: A biography," Eliot's "Hollywood's Dark Prince") and now I realize that I should have acquired this book before, so I wouldn't need to read all of the above stated books. This book provides Walt's personal story, studio development, good and bad critics, Disney's place in history and his shaping of American culture. It is not biased, but gives a balanced view on a man and his company. It made me believe in this book, since I was very sceptical towards "truths" written in other Walt Disney biographies. In those, Walt was portrayed as either a perfect person, or a villain of the 20th century. The Magic Kingdom is the balanced truth and the best biography of a man that shaped American culture without a doubt.

Great Information:
As I am doing research into the American Dream and the lifestyle in the mid century, I found this book usefull for citations in my thesis. It is also an enjoyable read for fans of Walt Disney and the effect that he and his products have had on our cultural society.

Best All Around Disney Book:
I've read the Gabler, Thomas, and Manheim (Quest for Community) books, and about 3 other books on Walt, and this was the best. Fantastic!